M-AUDIO Pro Tools Recording Studio - Manual (Page 811)

Chapter 38: Elastic Audio 793
Moving Elastic Audio Between Tracks
Pro Tools analyzes, conforms, and commits audio in different ways when moving audio regions be-
tween tracks with Elastic Audio enabled and tracks without Elastic Audio enabled. Table 39 on
page 793 shows the different results for moving regions between real-time Elastic Audio-enabled
tracks, Rendered Elastic Audio-enabled tracks, and audio tracks without Elastic Audio.
Table 39. Moving Elastic Audio between tracks
From To Result
Real-time Elastic
Audio–enabled track Rendered Elastic
Audio–enabled track Render region with destination track’s Elastic Audio plug-
in
Real-time Elastic
Audio–enabled track audio track (no Elastic
Audio) Render region with source track’s Elastic Audio plug-in
and commit the region to the destination track
Rendered Elastic
Audio–enabled track Real-time Elastic
Audio–enabled track Apply real-time Elastic Audio processing using the desti-
nation track’s Elastic Audio plug-in
Rendered Elastic
Audio–enabled track audio track (no Elastic
Audio) Commit to track
Audio track (no Elastic
Audio) Real-time Elastic
Audio–enabled track Calculate Elastic Audio analysis and apply real-time
Elastic Audio processing using the destination track’s
Elastic Audio plug-in
Audio track (no Elastic
Audio) Rendered Elastic
Audio–enabled track Calculate Elastic Audio analysis and render the region
using the destination track’s Elastic Audio plug-in
Pitched Elastic
Audio–enabled track audio track (no Elastic
Audio) Render region pitch shift with source track’s Elastic
Audio plug-in and commit the region to the destination
track
Regions that are committed, either by disabling Elastic Audio on a track or by moving a region to a
track without Elastic Audio enabled, are written to disk as new audio files (see “Committed Regions”
on page 770.)