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Paths in surround mixes – M-AUDIO Pro Tools Recording Studio User Manual

Page 1006

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Pro Tools Reference Guide

988

For example, to apply equal filter cutoffs to the
Ls and Rs (surround) channels in a 5.1 mix, you
could link enable just those channels in an un-
linked, multi-mono EQ plug-in. Adjusting the
controls in the plug-in window for either chan-
nel (Ls or Rs) adjusts the other, linked channel
as well.

Channel Selector

Accesses a specific channel

within a multichannel track for plug-in parame-
ter editing. This menu appears only on multi-
mono plug-ins inserted on tracks with more
than two channels.

Master Link Button

When enabled, links the

controls on all channels of a multi-mono plug-
in so that they can be adjusted in tandem.

Link Enable Buttons

Let you selectively link the

controls of specific channels of a multi-mono
plug-in. Each square represents a speaker chan-
nel. The Master Link button must be disabled to
use the Link Enable buttons.

To unlink controls on a multi-mono plug-in:

„

Deselect the Master Link button. It is lit when

linked, unlit when unlinked.

To access controls for a specific channel:

„

Select the channel from the Channel selector.

To open a plug-in window for all channels of a
multi-mono plug-in:

„

Alt-click (Windows) or Option-click (Mac) the

Channel selector.

To link the controls of specific channels:

1

Deselect the Master Link button if it is not al-

ready deselected.

2

Click the Link Enable buttons for the channels

whose controls you want to link.

Paths in Surround Mixes

Because Pro Tools provides a flexible routing
and submixing environment, you can maximize
your system’s available resources by first identi-
fying the elements that you want to pan dynam-
ically and those that can be placed in certain
channels only (see “Mixing with Paths and Sub-
Paths” on page 988).

Once you have identified these elements in your
session, you can use a combination of main and
sub-path assignments, and multichannel pan-
ning.

Mixing with Paths and Sub-Paths

It is rare that every track needs to be “flown” (ac-
tively panned in between more than a pair of
speakers). In most situations, certain elements
are placed in certain speakers and remain there,
providing the foundation for a mix.

Figure 16 on page 989 illustrates an example of
how panning and signal routing can be com-
bined in a multichannel mix. The following sec-
tions describe how to organize your session and
signal routing to maximize the available re-
sources.

Channel selector and Link controls

Channel selector

Link Enable buttons

Master Link button

For more information on using plug-ins, see

See “Extending Stereo Mixing Conventions
to Surround Mixing” on page 992
for re-
lated information.