Apple Final Cut Pro 7 - Manual (Page 1665)

Once you select the database, Cinema Tools starts matching events in the sequence to
records in the database in the following ways:
• For each edit involving a track turned on in the Export Audio EDL dialog, Cinema Tools
searches the database to see if that edit’s video clip is connected to any database
records. If not, it uses the edit’s video reel number to try to locate a record that includes
the edit’s timecode In and Out points. See the Cinema Tools User Manual for more
information about audio tracks.
• If Cinema Tools finds a suitable record, it checks whether that record includes sound
information (timecode and reel number). If so, an entry is added to the EDL and
Cinema Tools moves on to the next edit.
• Cinema Tools may not be able to match all audio edits within the sequence. This may
be due to incomplete database records or the use of audio from sources other than
the logged sound rolls. For those edits that cannot be matched back to the database,
an entry is added to the EDL using the reel and timecode information from the sequence,
with an asterisk placed by the reel name. A comment stating that no matching database
record was found is also added to the EDL entry.
Cinema Tools creates two files during the export: a CMX 3600 EDL format file and a text
file containing information about the EDL export:
• The CMX 3600 EDL format is widely used as a standard for EDL interchange and should
be acceptable at virtually all facilities.
• The text file created along with the EDL file uses the EDL’s filename with a .txt extension.
The file contains information regarding the sequence used and all the settings of the
Export Audio EDL dialog, including the number of tracks and their mapping. It also lists
any errors that occurred during the export.
1665 Chapter 99 Working with Film and Cinema Tools