Apple Final Cut Pro 7 - Manual (Page 12)

Applying a Modified Transition Directly to a Sequence in the Timeline 785
Trimming Transitions and the Surrounding Clips 785
Previewing and Rendering Transitions 789
Sequence-to-Sequence Editing 791 Chapter 49
Methods for Editing Clips from One Sequence to Another 791
Opening More Than One Sequence at a Time 792
Copying Clips from One Sequence to Another 792
Nesting Sequences 795
Editing the Content of One Sequence into Another Without Nesting It 801
Matching Frames and Playhead Synchronization 805 Chapter 50
Working with Sequence Clips in the Viewer 805
Matching Frames Between Sequence and Master Clips 808
Synchronizing the Canvas/Timeline Playhead and the Viewer Playhead 811
Working with Timecode 815 Chapter 51
About Timecode in Final Cut Pro 815
Displaying Timecode in Final Cut Pro 816
Modifying Timecode in Media Files 822
Modifying Sequence Timecode 825
Working with 60 fps Timecode 827
Working with 24 @ 25 fps Timecode 827
Generating Timecode Window Burns 828
Audio Fundamentals 829 Chapter 52
What Is Sound? 829
Measuring Sound Intensity 833
Signal-to-Noise Ratio 835
Headroom and Distortion 835
Dynamic Range and Compression 836
Stereo Audio 837
Digital Audio 839
Assigning Output Channels and External Audio Monitors 843 Chapter 53
Audio Signal Flow in Final Cut Pro 843
Configuring Audio Outputs 847
Creating and Saving Audio Output Presets 850
Assigning a Default Audio Output Preset for New Sequences 851
Assigning Tracks in the Timeline to Audio Outputs 851
Matching Audio Outputs to Clip Items in the Timeline 851
Assigning More Audio Outputs Than Your Hardware Supports 853
Audio Output Export Settings 853
Downmixing Multiple Audio Channels to a Stereo Mix 854
12 Contents