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Delete masks, Control mask path color, Mask modes – Adobe After Effects User Manual

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Delete masks

To delete one mask, select the mask in the Timeline panel and press Delete.

To delete all masks, select the layer containing the masks you want to remove and choose Layer > Masks > Remove All Masks.

Control mask path color

To help you identify and work with masks, the Composition and Layer panels outline a mask path with color, and the Timeline panel displays that
same color next to the name of the mask. By default, After Effects uses the color yellow for all masks. To make each mask more distinctive, you
can manually change the color of a mask using the Timeline panel, or you can set After Effects to cycle through mask colors for new masks.

Change mask path color

1. Select the mask in the Timeline panel.

2. Click the color swatch to the left of the mask name, pick a new color, and click OK.

Cycle through colors for mask paths

1. Choose Edit > Preferences > Appearance.

2. Select Cycle Mask Colors.

Mask modes

Blending modes for masks (mask modes) control how masks within a layer interact with one another. By default, all masks are set to Add, which
combines the transparency values of any masks that overlap on the same layer. You can apply a mode to each mask, but you can’t animate the
mode of a mask—that is, you can’t set keyframes or expressions for a mask mode property to make it change over time.

You choose a mask mode for a mask from the menu next to the mask name in the Timeline panel.

The first mask that you create interacts with the alpha channel of the layer. If that channel doesn’t define the entire image as opaque, then the
mask interacts with the layer frame. Each additional mask you create interacts with masks located above it in the stacking order in the Timeline
panel. The results of mask modes vary depending on the modes set for the masks higher in the stacking order. Mask modes only operate
between masks on the same layer.

Using mask modes, you can create complex compound masks with multiple transparent areas. For example, you can set a mask mode that
combines two masks and sets the opaque area to the areas where the two masks intersect.

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