beautypg.com

Adobe After Effects User Manual

Page 130

background image

Note:

Copy from Adobe Premiere Pro to After Effects

You can copy a video or audio asset from an Adobe Premiere Pro sequence and paste it into an After Effects composition. After Effects converts
assets to layers and copies the source footage items into its Project panel. If the asset contains an effect that is also used by After Effects, After
Effects converts the effect and all of its settings and keyframes.

You can copy color mattes, stills, nested sequences, and offline files, too. After Effects converts color mattes into solid-color layers and converts
nested sequences into nested compositions. When you copy a Photoshop still image into After Effects, After Effects retains the Photoshop layer
information. You cannot paste Adobe Premiere Pro titles into After Effects, but you can paste text with attributes from the Adobe Premiere Titler
into After Effects.

1. Select an asset from the Adobe Premiere Pro Timeline panel.

2. Choose Edit > Copy.

3. In After Effects, open a composition in the Timeline panel.

4. With the Timeline panel active, choose Edit > Paste. The asset appears as the topmost layer in the Timeline panel.

To paste the asset at the current-time indicator, place the current-time indicator and press Ctrl+Alt+V (Windows) or

Command+Option+V (Mac OS).

Results of pasting into After Effects

When you paste an asset into an After Effects composition, keyframes, effects, and other properties in a copied asset are converted as follows:

Transform property values and
keyframes

Motion or Opacity values and
keyframes

The keyframe type—Bezier, Auto
Bezier, Continuous Bezier, or Hold—is
retained.

Source settings for R3D source files

Source settings for R3D source files

Adobe Premiere Pro asset

Converted to in After Effects

Notes

Audio track

Audio layers

Audio tracks that are either 5.1
surround or greater than 16-bit aren’t
supported. Mono and stereo audio
tracks are imported as one or two
layers.

Bars and tone

Not converted

Blending modes

Converted

Clip marker

Layer marker

Color mattes

Solid-color layers

Crop filter

Mask layer

Frame Hold

Time Remap property

Motion or Opacity values and
keyframes

Transform property values and
keyframes

Keyframe type—Bezier, Auto Bezier,
Continuous Bezier, or Hold—is

126

This manual is related to the following products: