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Adobe After Effects CS4 User Manual

Page 161

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155

USING AFTER EFFECTS CS4

Layers and properties

Last updated 12/21/2009

Switches in the A/V Features column

Video

Toggles layer visuals on or off. (See “

Toggle visibility or influence of a layer or property group

” on page 155.)

Audio

Toggles layer sounds on or off.

Solo

Includes the current layer in previews and renders, ignoring layers without this switch set. (See

Solo a layer

on page 156.)

Lock

Locks layer contents, preventing all changes. (See

Lock or unlock a layer

” on page 156.)

Switches in the Switches column

Shy

Hides the current layer when the Hide Shy Layers composition switch

is selected. (See

Show and hide

layers in the Timeline panel

” on page 157.)

Collapse Transformations/Continuously Rasterize

Collapses transformations if the layer is a precomposition;

continuously rasterizes if the layer is a shape layer, text layer, or layer with a vector graphics file (such as an Adobe
Illustrator file) as the source footage. Selecting this switch for a vector layer causes After Effects to rerasterize the layer
for each frame, which improves image quality, but also increases the time required for previewing and rendering. (See

Render order and collapsing transformations

” on page 64 and

Continuously rasterize a layer containing vector

graphics

” on page 158.)

Quality

Toggles between Best and Draft options for layer quality for rendering, including rendering to the screen

for previews. (See

Layer image quality and subpixel positioning

” on page 157.)

Effect

Select to render the layer with effects. The switch does not affect the setting for individual effects on the

layer. (See

Delete or disable effects and animation presets

” on page 394.)

Frame Blend

Sets frame blending to one of three states: Frame Mix

, Pixel Motion

, or off. If the Enable Frame

Blending composition switch

is not selected, the frame blending setting of the layer is irrelevant. (See

Frame

blending

” on page 253.)

Motion Blur

Toggles motion blur on or off for the layer. If the Enable Motion Blur

composition switch is not

selected, the motion blur setting of the layer is irrelevant. (See “

Motion blur

” on page 227.)

Adjustment Layer

Identifies the layer as an adjustment layer. (See

Adjustment layers

” on page 141.)

3D Layer

Identifies the layer as a 3D layer. If the layer is a 3D layer with 3D sublayers—as is the case for a text layer

with per-character 3D properties—the switch uses this icon:

. (See “

3D layers overview and resources

” on page 179.)

More Help topics

Layers (keyboard shortcuts)

” on page 746

Toggle visibility or influence of a layer or property group

The Video

(eyeball) switch for a layer controls whether the visual information for a layer is rendered for previews

or final output. If the layer is an adjustment layer, the Video switch controls whether the effects on the layer are applied
to the composite of the layers below it. If the layer is a camera or light, the Video switch controls whether the layer is
on or off.

Several components of layers—such as paint strokes, path operations in shape layers, and text animators in text
layers—each have their own Video switches. You can use the Video switch to toggle the visibility and influence of these
items individually.

To turn off the visibility of a layer deselect the Video switch for the layer.

To select the Video switch for all layers, choose Layer

> Switches

> Show All Video.

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