Adobe After Effects CS3 - Manual (Page 517)

AFTER EFFECTS CS3
User Guide
512
Viscosity Specifies how fast pieces decelerate after being blown apart. The higher the Viscosity value, the more resis-
tance the pieces encounter as they move and spin. If Viscosity is set high enough, the pieces quickly come to a stop.
To replicate an explosion in water or sludge, set Viscosity to a high value. In air, set it to a medium value, and for an
explosion in space, set it very low, or to 0.
Mass Variance Specifies the theoretical weight of the pieces as they explode. For example, a large piece is heavier
than a small piece and therefore does not fly as far or as fast when it encounters the blast. Mass Variance’s default
setting of 30% gives a realistic approximation of this law of physics. Setting Mass Variance to 100% greatly
exaggerates the difference between the behavior of large versus small pieces. Setting it to 0% makes all pieces behave
the same, regardless of their size.
Gravity Determines what happens to the pieces after they break up and blow apart. The higher the gravity setting,
the faster the pieces are sucked in the direction set by Gravity Direction and Gravity Inclination.
Gravity Direction Defines the direction in (x,y) space that the pieces travel when affected by gravity. The direction
is relative to the layer. If Gravity Inclination is set to -90 or 90, Gravity Direction has no effect.
Gravity Inclination Determines the direction in z space that the pieces travel once they explode. A value of 90
explodes the pieces forward, relative to the layer. A value of -90 explodes them backward, relative to the layer.
Textures controls
Textures controls specify the texture of the pieces.
Color Specifies the color of the piece as defined by the Front Mode, Side Mode, and Back Mode menus. This color
may or may not be visible depending on the Mode settings: When a Mode setting is Color, Tinted Layer, Color +
Opacity, or Tinted Layer + Opacity, the selected color is factored into the appearance of the piece.
Opacity Controls the opacity of the corresponding Mode setting. A Mode setting must be Color + Opacity, Layer +
Opacity, or Tinted Layer + Opacity for the opacity to affect the appearance of the piece. You can use the Opacity
control in conjunction with texture maps to create the look of semitransparent materials.
Front Mode, Side Mode, Back Mode Determine the appearance of the front, sides, and back of the pieces. Color
applies the selected color to the applicable side of the piece. Layer takes the layer chosen in the corresponding Layer
menu and maps it to the applicable side of the piece. Tinted Layer blends the chosen layer with the selected color;
the effect is similar to viewing the layer through a colored filter. Color + Opacity combines the selected color and the
Opacity amount. With Opacity at 1, the applicable side is given the selected color. With Opacity at 0, the applicable
side is transparent. Layer + Opacity combines the chosen layer and the Opacity amount. With Opacity at 1, the
chosen layer is mapped to the applicable side. With Opacity at 0, the applicable side is transparent. Tinted Layer +
Opacity combines the tinted chosen layer and the Opacity amount. With Opacity at 1, the tinted chosen layer is
mapped to the applicable side. With Opacity at 0, the applicable side is transparent.
Note: If you apply Shatter to a layer containing an alpha channel that you want to use for transparency, use the same
texture (or at least another layer with an identical alpha channel) for the front, sides, and back of the pieces to make all
sides transparent.
Front Layer, Side Layer, Back Layer Specify the layer to be mapped onto the corresponding side of the piece. Front
Layer maps the chosen layer to the front of the piece. Back Layer maps the chosen layer backward to the layer. If Layer
is chosen for both Front Mode and Back Mode, and the same layer is specified for each, each shattered piece has the
same pixel information on both sides. Side Layer maps an extrusion of the chosen layer to the extruded sides of the
piece, as if the chosen layer is also mapped to the front and back, and the layer has been sliced through.
Note: If you choose a layer with an effect applied, the effect does not show up in the texture unless you precompose the
layer. However, if you select None, the layer to which you have applied Shatter, along with any effects that occur before
Shatter, is used as the texture map, with no precomposing required.