Adobe After Effects CS3 - Manual (Page 236)

AFTER EFFECTS CS3
User Guide
231
Work with pins and the distortion mesh
• To show the mesh for the Puppet effect, select Show in the options section of the Tools panel.
• To select or move a pin, click or drag it with the Move tool . To activate the Move tool, place the pointer on a
pin while either the Selection tool or the corresponding Puppet tool is active.
• To select multiple pins, Shift-click them, or use the marquee-selection tool to drag a marquee-selection box
around them. To activate the marquee-selection tool, place the pointer for a Puppet tool outside all meshes and
outlines or hold the Alt (Windows) or Option (Mac OS) key.
• To select all pins of one kind (Deform, Starch, or Overlap), select one pin of that kind and press Ctrl+A (Windows)
or Command+A (Mac OS).
• To delete selected pins, press the Delete key. If the pin has multiple keyframes, and only the keyframe at the current
time is selected, pressing Delete will delete only that keyframe; pressing Delete again will delete the pin.
• To reset Deform pins to their original locations at the current time, click Reset for the Puppet effect in the Timeline
panel or Effect Controls panel. To remove all pins and meshes from an instance of the Puppet effect, click Reset
again.
Sometimes, you want to animate an image from an initial position, through an intermediate position, and back to
the initial position. Rather than manually dragging the pins back to their initial positions at the end of the animation,
place the current-time indicator at the end time and click Reset. Only the keyframes at the current time are reset.
• To increase or decrease the number of triangles used in a mesh, modify the Triangle value in the options section
of the Tools panel or in the Timeline panel. This modifies the value for a selected mesh or, if no mesh is selected,
sets the value for meshes created later.
A higher number of triangles gives smoother results but takes longer to render. Small objects, like text characters,
usually distort well with only 50 triangles, whereas a large figure may require 500. The number of triangles used may
not match the Triangle value exactly; this value is a target only.
• To expand the mesh beyond the original outline, increase the Expansion property in the options section of the
Tools panel or in the Timeline panel. This modifies the value for a selected mesh or, if no mesh is selected, sets the
value for meshes created later. Expanding the mesh is useful for encompassing a path’s stroke.
• To duplicate an object using Puppet Pin tool, click within the original outline. This creates a new mesh, with its
own copy of the pixels from within the original outline. You can also duplicate a Mesh group in the Timeline panel
to achieve the same result, which is sometimes easier than clicking within the original outline without clicking on
the mesh to create a pin.
Puppet Overlap controls
When you are distorting one part of an image, you may want to control which parts of the image appear in front of
other parts. For example, you may want to keep an arm in front of the face as you make the arm wave. Use the Puppet
Overlap tool to apply Overlap pins to the parts of an object for which you want to control apparent depth.
You apply Puppet Overlap pins to the original outline, not to the deformed image.