Conversion of final cut pro audio transitions, Final cut pro composite modes, Final cut pro multiclips – Adobe Premiere Pro CS4 User Manual
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USING ADOBE PREMIERE PRO CS4
Capturing, digitizing, transferring, and importing
Last updated 11/6/2011
Conversion of Final Cut Pro audio transitions
Final Cut Pro composite modes
Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro
source projects. Premiere Pro converts Final Cut Pro composite modes according to the following table:
Final Cut Pro Multiclips
Premiere Pro converts uncollapsed Final Cut Pro Multiclips, with as many as four inputs, to Multi-camera sequences.
Premiere Pro converts collapsed Multiclips to individual clips.
Note: Premiere Pro issues a warning when you try to import a Multiclip with more than four inputs.
Final Cut Pro
audio
transition
Premiere Pro audio transition
Cross Fade (0-
dB)
Constant Gain
Cross Fade (+3-
dB)
Constant Power
Other
transitions
Constant Power
Final Cut Pro
mode
Premiere Pro mode
Normal
Normal
Add
Linear Dodge (Add)
Subtract
Not supported
Difference
Difference
Multiply
Multiply
Screen
Screen
Overlay
Overlay
Hard Light
Hard Light
Soft Light
Soft Light
Darken
Darken
Lighten
Lighten
Travel Matte
Alpha
Not supported
Travel Matte
Luma
Not supported