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Conversion of final cut pro audio transitions, Final cut pro composite modes, Final cut pro multiclips – Adobe Premiere Pro CS4 User Manual

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USING ADOBE PREMIERE PRO CS4

Capturing, digitizing, transferring, and importing

Last updated 11/6/2011

Conversion of Final Cut Pro audio transitions

Final Cut Pro composite modes

Premiere Pro retains the basic motion and opacity effects, and motion and opacity keyframes, from Final Cut Pro
source projects. Premiere Pro converts Final Cut Pro composite modes according to the following table:

Final Cut Pro Multiclips

Premiere Pro converts uncollapsed Final Cut Pro Multiclips, with as many as four inputs, to Multi-camera sequences.
Premiere Pro converts collapsed Multiclips to individual clips.

Note: Premiere Pro issues a warning when you try to import a Multiclip with more than four inputs.

Final Cut Pro
audio
transition

Premiere Pro audio transition

Cross Fade (0-
dB)

Constant Gain

Cross Fade (+3-
dB)

Constant Power

Other
transitions

Constant Power

Final Cut Pro
mode

Premiere Pro mode

Normal

Normal

Add

Linear Dodge (Add)

Subtract

Not supported

Difference

Difference

Multiply

Multiply

Screen

Screen

Overlay

Overlay

Hard Light

Hard Light

Soft Light

Soft Light

Darken

Darken

Lighten

Lighten

Travel Matte
Alpha

Not supported

Travel Matte
Luma

Not supported