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Multichannel mode, Converting between color modes, Convert an image to another color mode – Adobe Photoshop CS3 User Manual

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PHOTOSHOP CS3

User Guide

112

Although its palette of colors is limited, indexed color can reduce file size yet maintain the visual quality needed for
multimedia presentations, web pages, and the like. Limited editing is available in this mode. For extensive editing,
you should convert temporarily to RGB mode. Indexed color files can be saved in Photoshop, BMP, DICOM, GIF,
Photoshop EPS, Large Document Format (PSB), PCX, Photoshop PDF, Photoshop Raw, Photoshop 2.0, PICT, PNG,
Targa, or TIFF formats.

Multichannel mode

Multichannel mode images contain 256 levels of gray in each channel and are useful for specialized printing. Multi-
channel mode images can be saved in Photoshop, Large Document Format (PSB), Photoshop 2.0, Photoshop Raw,
or Photoshop DCS 2.0 formats.

These guidelines apply when converting images to Multichannel mode:

Color channels in the original image become spot color channels in the converted image.

Converting a CMYK image to Multichannel mode creates cyan, magenta, yellow, and black spot channels.

Converting an RGB image to Multichannel mode creates cyan, magenta, and yellow spot channels.

Deleting a channel from an RGB, CMYK, or Lab image automatically converts the image to Multichannel mode.

To export a multichannel image, save it in Photoshop DCS 2.0 format.

Converting between color modes

Convert an image to another color mode

You can change an image from its original mode (source mode) to a different mode (target mode). When you choose
a different color mode for an image, you permanently change the color values in the image. For example, when you
convert an RGB image to CMYK mode, RGB color values outside the CMYK gamut (defined by the CMYK working
space setting in the Color Settings dialog box) are adjusted to fall within gamut. As a result, some image data may be
lost and can’t be recovered if you convert the image from CMYK back to RGB.

Before converting images, it’s best to do the following:

Do as much editing as possible in the original image mode (usually RGB for images from most scanners or digital
cameras, or CMYK for images from traditional drum scanners or imported from a Scitex system).

Save a backup copy before converting. Be sure to save a copy of your image that includes all layers so that you can
edit the original version of the image after the conversion.

Flatten the file before converting it. The interaction of colors between layer blending modes changes when the
mode changes.

Choose Image > Mode and the mode you want from the submenu. Modes not available for the active image appear

dimmed in the menu.

Images are flattened when converted to Multichannel, Bitmap, or Indexed Color mode, because these modes do not
support layers.