Part viii audio mixing – Apple Final Cut Express 4 User Manual
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Contents
Editing the Content of One Sequence into Another Without Nesting It
Working with Sequence Clips in the Viewer
Opening a Sequence Clip in the Viewer
Switching Between the Viewer, Canvas, and Timeline
Using the Viewer to Adjust Sequence Clip In and Out Points
Using the Viewer to Adjust Motion and Filter Parameters
Matching Frames Between Sequence and Master Clips
Matching a Frame in the Canvas to Its Master Clip
Matching a Frame in the Canvas to Its Media File
Matching a Frame in the Viewer to a Sequence Clip in the Canvas or Timeline
Setting Up for Audio Mixing in Final Cut Express
Audio Signal Flow in Final Cut Express
Configuring External Audio Monitors
Connecting Speakers to Your Editing System
Setting Monitoring Levels and Muting System Sound Effects
Tips for Choosing Speakers and an Amplifier
Setting Up a Proper Audio Monitoring Environment
Evaluating Levels with Audio Meters
About the Audio Meters in Final Cut Express
Raising Audio Levels Using Audio Normalization and Gain
What Reference Level Should You Use for Mixing and Output?
Outputting Bars and Tone at the Head of Your Tape
Mixing Audio in the Timeline and Viewer
Adjusting Audio Levels in the Timeline and Viewer
Adjusting Audio Levels in the Timeline
Changing Audio Levels in the Viewer