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Apple Final Cut Express 4 User Manual

Page 1146

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1146

Index

hiding 72
poster frames 77
scrubbing through 73, 982

thumb tabs 119
TIFF format 206, 214, 1002, 1004, 1009, 1049
timecode 1090–1093

absolute and relative values 518
breaks 1109
clip duration and 318
compared to frame rates 1093
consumer mini-DV devices 991
Current Timecode field 178
described 1090
determining type of 1090
dragging values to other fields 112
drop frame timecode 1090–1093
duplicate timecode numbers 201–203
ending timecode 297
entering 63–64
format of 1090
In and Out point settings 318
incoming clips 530
marker duration and 274
moving clips with 407–409, 519
moving markers with 272
moving playhead 684
navigating with 111–112, 131
non-drop frame timecode 1090–1091
precision editing 518
problems with 1109
QuickTime files 1005
searching for items by 399–400
sliding clips with 486
slipping clips with 489
starting timecode 297
Timecode Duration field 177
timecode tracks 1003
trim edits and 520
in Trim Edit window 529

Timecode Duration field 82, 96, 110, 177
Time Display option 291
time-lapse photography 1085, 1088
Timeline

Audio Controls button 122
audio editing 468–471
audio levels 611–615, 629–630
audio waveforms 128
automating audio levels 629
Auto Select controls 118, 402–404
Canvas and 113
changing pan in 618
clips in 304, 462
copying and pasting clips 412–416
currently selected items 387–389
customizing display 346–351
cutting clips in 423–425

deleting items in 417–419
described 113
deselecting items in 394
display options 126–129
dragging audio clips to 466
dragging files to 208
drag-to-Timeline editing 353–355
duration of clips in 427
finding items in 399–400
illustrated 56
In and Out point settings 320–329
jumping to locations in 130
keyframes 613
layering clips in 808–809
linked clips 430
Linked Selection button 436
linking items in 434–435
locking tracks in 344
markers in 99, 262–263
match frame operations 590
moving and resizing window 137
moving clips within 272, 407–409
mute button 122
navigating in 116–121, 130–136
navigating with timecode 518
opacity levels 810–811
opening sequences in 115
overview 116–126
playback options 998
playhead in 120, 136
positioning playhead in 998
preferences 977
recording from 993, 997–999
recording to tape directly 989
render bars 884, 900
replacing clips from In point 373
resizing text labels 137
resizing tracks 346–348
ripple edits 493, 494–495
roll edits 503–504
ruler 119
screen text size 974
scrolling in 135–136, 349–351
scrubbing sequences in 130
selecting clips in 392–398, 401, 512
selecting edit points 512
sequence clips 126
sequences in 299
setting destination tracks 340
settings 301–302
showing clips in 834
slide edits 484–487
slipping clips 487–490
snapping in 405–406
solo button 122
Source and Destination controls 339–343