Apple Final Cut Pro 6 - Manual (Page 799)

14 Contents
657 Keeping Track of Rendering Progress
658 Temporarily Disabling Rendering
658 Automatic Rendering While You Are Away from Your Computer
659 Changing Render and Video Processing Settings
660 Using the Render Control Tab
662 Using the Video Processing Tab
668 Adjusting Gamma
668 About Gamma
668 Nonlinear Coding
668 About Gamma Correction
669 Choosing Real-Time Playback Gamma Correction Options
669 Changing Gamma Settings for Video and Imported Still Images
672 Managing Your Render Files
672 Locating Render Files
673 Using the Render Manager
675 Preserving Render Files
676 Tips for Avoiding Unnecessary Rendering and Reducing Render Time
Chapter 30 679 Working with Mixed-Format Sequences
679 About Mixed-Format Sequences
680 Determining Whether Clips in a Sequence Will Play Back in Real Time
680 Formats That Support Real-Time Playback
681 Formats That Don’t Support Real-Time Playback
681 Viewing Clip Properties and Sequence Settings
682 Working with Mixed-Format Sequences
682 Conforming Sequence Settings to Match a Clip’s Settings
683 Conforming Clips to Match Sequence Settings
686 Mixing Frame Rates
687 Combining Interlaced Footage with Different Field Dominances
689 Mixing Footage with Different Codecs
689 Nesting Nonmatching Sequences
690 Adding Filters and Motion Effects to Mixed-Format Sequences
690 Combining SD and HD Video
690 Downconverting HD Video
695 Upconverting SD Video
697 Rendering Mixed-Format Sequences
697 External Monitoring and Output
698 Media Management and Project Interchange
698 Using the Media Manager with Mixed-Format Sequences
698 Exporting an EDL from a Mixed-Format Sequence
698 Working with Cinema Tools and Mixed-Format Sequences