Apple Final Cut Pro 6 User Manual
Page 1985
502
Index
converting movies IV-268
exporting items for IV-276
markers IV-243
DVD-Video compliant formats IV-268
DV formats
audio channels I-301
black levels III-535–III-536
creating subclips I-283–I-285
data transfer rates I-208, I-210
DV format IV-399, IV-455
equipment setup I-162
external monitoring I-221
Final Cut Pro support I-22
FireWire DV interface and I-175
format choices IV-188
fuzziness in clips IV-442
lines per frame IV-384
list of formats IV-399
output requirements IV-189
sequence presets for IV-64
DV NTSC codec IV-231, IV-233
DV PAL IV-231, IV-233
DV PAL codec IV-233
DV Start/Stop Detection I-283
DV Stream files IV-188, IV-231, IV-232, IV-246,
IV-263–IV-264
DV timecode IV-194, IV-354
DV Time option IV-352
DV-to-analog converter box I-187
dynamic microphones III-138
dynamic mixing III-188
Dynamic playback option III-628
dynamic range IV-456
audio III-25, III-54
controlling III-67–III-68
Dolby, videotape, and television III-67
dynamic real-time playback III-629, III-676
dynamic real-time playback options II-278
dynamic trimming II-358, II-362, II-365
Dynamic Trimming checkbox II-362
Dynamic Trimming option IV-313
E
Ease In/Ease Out command III-319
Easy Setups II-89
copying IV-334
customizing IV-327, IV-333
described I-162
editing IV-327
External Video settings IV-192
loading from a network IV-337
making unavailable IV-334
Offline RT Easy Setups IV-61
presets and I-164, IV-327
removing IV-334–IV-336
restoring original IV-336
selecting I-245
selecting different presets in IV-328
video formats and I-24
working with IV-326–IV-327
Echo filter III-160
edge code II-440
Edge Feather parameter III-258
Edge Feather slider III-271
Edge Thin slider III-604
Edge Wipe transition II-392, IV-152
edging around keyed subjects III-434, III-438
edit buttons I-93, II-147, IV-202
Edit Decision Lists. See EDLs
editing
anamorphic media IV-432
assemble editing. See assemble editing
asymmetrical edits II-331, II-332–II-334
audio in Timeline II-301–II-305
audio in Viewer II-292–II-294, II-298–II-300
audio-video sync II-226–II-228
audio waveform displays and II-287
backtiming clips II-165, II-168
canceling edits IV-211, IV-215
in Canvas II-145–II-148
changing simple edits to split edits II-234
clip properties II-81
clips into sequences II-165–II-166
clips with transitions II-384
in color spaces III-664
controls in Canvas I-92–I-93
copying clips from other sequences II-412–II-415
cut edits II-207
described IV-456
drag-to-Timeline editing II-95, II-137–II-143
Easy Setups IV-327
edit buttons II-147
editorial process I-19
Edit Overlay I-93
edit points I-96
EDL considerations IV-134, IV-148–IV-150
extend edits II-348–II-349
fit to fill edits II-149, III-338–III-340
“gearing down” II-193
In and Out points II-99–II-104, II-165
insert editing. See insert editing
insert edits II-139, II-148, II-150–II-151, II-413
insert with transition edits II-148, II-151–II-152,
II-375
keyboard shortcuts II-148, II-269, II-425
lift edits II-200–II-202
linear editing I-21, IV-18, IV-460
marker information II-60, II-64
master clips IV-48