Apple Final Cut Pro 6 - Manual (Page 1983)

500 Index
serial devices IV-356
troubleshooting IV-360
Device Control Presets tab IV-350
device control protocols IV-351
devices
external monitors and IV-221
mini-DV devices. See mini-DV devices
non-controllable IV-360
presets IV-324
protocols supported IV-354
settings IV-192, IV-194, IV-209
status of IV-202
devices. See equipment
Device setting for capture presets IV-345
Device Settings tab IV-201, IV-208, IV-209
device status indicators I-240
dialogue IV-453
from different takes III-180
editing III-179
off-camera III-180
tips for cutting III-178–III-181
tracks III-185
dialogue scenes II-232
dialogue stems III-185
Diamond Iris transition IV-151
Diamond transition II-390
Difference Matte filter III-247
Diffuse filter III-251
Digital-8 format IV-454
digital audio
See also audio
connecting equipment I-198
overview III-28–III-31
digital audio meters III-58
digital audio workstations (DAWs) III-195
Digital Betacam format IV-64, IV-188, IV-384, IV-454
connecting equipment I-186
equipment setup I-182
Final Cut Pro support I-22
Digital Cinema Desktop option I-223
Digital Cinema Desktop Preview feature I-226–I-228
digital data IV-453
digital full scale audio measurement III-58
digital full scale range IV-454
digital media I-216–I-217
digital multitrack format I-23
Digital S. See D-9 format
Digital SD video pixels III-371
digital-to-DV converters I-187
digital video
described IV-454, IV-455
frame rates IV-409
digital video. See video
Digitizer setting for capture presets IV-341
digitizing process IV-454
dimensions of graphics III-377
dimensions of video frames I-24, IV-375, IV-382
Dip to Color Dissolve transition IV-151
Dip to Color transition II-389
directories for media files I-35
directory paths IV-48, IV-81
disabled audio tracks III-196
disabled tracks I-115, III-675
disabling clips III-418
disclosure triangles IV-454
discrete audio II-293
disk arrays I-216–I-217
disks. See hard disks, scratch disks
disk space. See hard disk space
Displace filter III-244
dissolves IV-132
dissolve transitions II-371, II-389
distort filters III-244
distort handles III-276
distorting clips III-280, IV-454
distortion, audio III-25
distortion in audio I-303
Distort parameter III-259
Distort tool III-276
distribution in moviemaking process I-16
Dither Dissolve transition II-389, IV-151
dividers in Timeline II-134
Dock I-51
documentary-style projects I-251
Document Type Definitions (DTDs) IV-156, IV-158
Dolby Digital AC-3 format IV-272
Dolby Digital sound III-67
DOS file format IV-140
dots per inch (dpi) measurements III-370
double-byte characters IV-141, IV-144
double-sided logarithmic sliders III-227
downconverting
HD (High Definition) video III-690–III-694
Downmix control III-75
downmixes
described IV-455
exporting III-192
outputting all channels as stereo III-75
to stereo mixes III-47
Downmix pop-up menu IV-369
dpi measurements III-370
dragging files to Timeline I-319
dragging items
clips in Timeline II-191
“gearing down” II-193
Option-dragging II-196
sequences II-88
drag hand II-140, II-291, II-298, II-397
drag-to-Timeline editing
adding tracks II-142–II-143
described II-95
overview II-137–II-139