Apple Final Cut Pro 6 User Manual
Page 2017
534
Index
external editors IV-321
external monitors I-222–I-225
filters I-78
Filters tab III-224–III-226
frame offsets I-230
generators I-79
image sequences IV-287–IV-289
imported video I-320
Internet streaming IV-259–IV-260
keyframing III-291–III-301
labels II-23–II-26
memory and cache IV-319–IV-320
motion I-78, III-256–III-273, III-282–III-285
OMF audio III-197
paste attributes III-232
playback quality IV-320
presets IV-329
QuickTime IV-249–IV-260
QuickTime sound IV-257–IV-258
QuickTime video IV-249–IV-257
rendering III-659–III-662
scratch disks IV-317
search paths IV-318
sequence presets III-659–III-667, IV-361
sequences II-73, II-89–II-90, IV-370–IV-371
system III-638–III-639
System Settings window IV-316–IV-322
thumbnail cache IV-320
timecode II-447–II-448
Timeline II-89–II-90
Timeline recording IV-224
transitions II-402
Trim Edit window II-360–II-364
video decks IV-192
video filters III-224–III-226
video processing III-662–III-663
Video Processing tab III-659, III-662–III-667
Y´CbCr color space III-507–III-511
Settings button IV-294–IV-296
Settings option IV-249, IV-297
setup in post-production process I-18
SGI format I-316, IV-234, IV-470
shadows, detail in III-586
Shake files I-316
Shapes generator III-453
Sharpen filter III-250
Shift key II-178
shooting ratios I-32, I-209
shooting scripts I-269
shortcut buttons I-46, I-146, I-155–I-158
shortcut menus IV-297, IV-470
using I-46–I-47
viewing I-46–I-47
Shot/Take field I-260
Shot/Take property IV-41, IV-45
shot-reverse-shot editing III-565
shots IV-470
Show as Sq. Pixels setting I-84
Show Audio Waveforms option I-126
Show Current command I-225
Show Duplicate Frames option II-388
Show Match Frame button I-82, I-97
Show Multiclip Angles command II-278
Show Multiclip Overlays command II-263
Show Overlays command II-102
Show Timecode Overlays command II-445
Show Tooltips option IV-307
shuffle edits II-194–II-195, IV-470, IV-473
shuttle control II-361
in Canvas I-91, I-96
described IV-470
in Edit to Tape window IV-202
in Viewer I-76, I-81
Log and Capture window I-241
navigating through clips I-103–I-104
shuttling IV-470
sibilant sounds III-160
signal-to-noise ratio III-24, IV-470
sine waves III-18
Single Frames option I-225
Size option IV-249
Size property IV-41, IV-46
slate IV-206, IV-471
Slate buttons I-259
slide edits II-318–II-321, II-384, IV-471
slider controls III-227
sliders IV-471
Slide tool II-175, II-319
Slide transition II-391
sliding frames
to new times III-356
Time Remap tool III-354
clips with transitions II-384
performing II-321–II-325
slipping both edit points II-117
subframe units II-309
Slip into Sync command II-222, II-224
Slip Item tool II-117
Slip Others into Sync command II-226
Slip tool II-175, II-224, II-235, II-321
slow motion III-337
strobe effects III-260, III-342
in time graph III-360
slow motion effects IV-405, IV-407
slug (black) II-379, III-448, III-450, IV-225, IV-471
SmoothCam filter
and the Media Manager III-468
described III-455–III-456
Motion analysis data III-468
troubleshooting III-469
using III-456–III-467