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Multiclip workflow, P. 243) – Apple Final Cut Pro 6 User Manual

Page 576

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Chapter 16

Working with Multiclips

243

II

Multiclip Workflow

The following steps describe the basic multiclip workflow in Final Cut Pro:

Step 1:

Shoot an event with multiple cameras and record appropriate

sync information

A multicamera shoot uses multiple cameras to record the same subject or event from
different angles and distances. The recorded tapes are known as iso reels (short for
isolated reels) because each camera angle is recorded separately.

In professional multicamera shoots, each camcorder or VTR receives the same timecode
from a master timecode generator, or you can jam sync the timecode generator of each
camera at the beginning of the shoot. If you are using consumer DV camcorders, which
cannot accept external timecode, you need to record a visual cue, such as a clapboard
closing or a camera flash, on all cameras. You can use this to synchronize the clips
together during post-production.

Step 2:

Log and capture multicamera footage

Log and capture each tape as individual clips, or use Capture Now to capture the entire
length of each tape.

Important:

Make sure to log an angle number for each clip you capture. Final Cut Pro

uses a clip’s Angle property to determine how it is sorted within a multiclip.

If you capture entire reels using Capture Now, you can break your footage into shorter
subclips. For more information, see Volume II, Chapter 2, “Creating Subclips.”

Step 3:

Create multiclips, assigning a clip from each camera to a different angle

In the Browser, select the clips, subclips, or bins of clips that you want to group
together into a multiclip. You can create multiclips using either the Make Multiclip or
the Make Multiclip Sequence command.

When creating a multiclip, you can choose one of several methods to synchronize the
clips, such as by In point, Out point, or matching timecode. After a multiclip is created,
you can rearrange, add, and delete angles in the Viewer.

For more information, see “

Creating Multiclips and Multiclip Sequences

” on page 244

and “

Working with Multiclip Angles in the Viewer

” on page 261.

Angle field