Apple Final Cut Pro 6 User Manual
Page 2015
532
Index
Scrolling Text generator III-475
scrolling through clips III-302
scrolling through sequences I-138
scrubber bar I-76, I-80, I-91, I-95, I-102, II-291, II-294,
II-361, III-641, IV-469
scrubbing IV-320, IV-469
audio scrubbing II-297
in clips I-67–I-68, I-102
in sequences in Timeline I-133
in thumbnails I-65
turning off II-297
Scrub tool (for multiclip angles) II-267
Scrub Video tool I-68, IV-470
SCSI cables I-215
SCSI disk drives I-215
SCSI interface cards I-215
SD (Standard Definition) video IV-384
SD (standard definition) video III-371, III-373, III-380
Final Cut Pro support I-22
upconverting III-695–III-696
SD2 format. See Sound Designer II format
SDI format I-180
SDI inputs I-219
SDI-to-Composite converters I-219
SDTI (Serial Digital Transport Interface) I-181
SD video
SD video See SD (Standard Definition) video
Search command II-29
Search Folders tab IV-318
searching for items. See finding items
Search option II-29
SECAM format I-23, IV-377, IV-470
seek time I-209, I-213
Select All command II-182
Select All Tracks Backward tool II-175
Select All Tracks Forward tool II-175
Select Color eyedropper III-604
Selected Items in Logging Bin option I-275
selecting items
all clips in sequence II-182
all clips on tracks II-180
Auto Select controls II-185–II-188
clips in Timeline II-176–II-178
current selections in Timeline II-171–II-173
deselecting II-178
forward or backward in tracks II-181
linked items II-221
Option key shortcuts II-196
for trim edits II-344–II-346
selecting items in Browser I-55
Selection tool I-68, II-174, III-276, IV-470
selection tools II-174, II-176, II-184–II-185, II-344
Select Preset option IV-142
Select Track Backward tool II-175, II-181
Select Track Forward tool II-175, II-181, II-204
Select Track tool II-175, II-180, II-181
self-contained movies I-330, IV-238–IV-241, IV-259
self-powered speakers III-50, III-54
Sepia filter III-245
sequence clips I-123, II-212, III-218
described II-78, IV-34, IV-470
duration II-212
In and Out points II-429
independent clips II-430, II-433
master clips for II-430–II-433
match frame operations II-431, II-433
media files for II-432
offline IV-64
opening II-292, II-350, II-428
sprocket holes II-428
switching to Canvas or Timeline II-429
in Viewer II-427–II-430
sequence icon IV-35
Sequence Preset Editor II-450, III-663, IV-236, IV-343
sequence presets
audio IV-364, IV-368
described IV-324, IV-361
general settings IV-362–IV-363
loading IV-370
new sequences and IV-307
prompting for II-73, II-85
rendering IV-366
settings IV-362–IV-371
timecode rates in II-450
Timeline options IV-366
Sequence Presets tab II-450, IV-362
sequences
See also sequence clips
adding clips to II-91, II-94–II-96
adding tracks to II-120–II-121, II-142
adjusting master levels III-88
anamorphic media and IV-432, IV-433
applying filters to clips III-218
audio sample rate conversion I-324
avoiding nested II-422–II-426
batch exporting IV-291–IV-299
capturing clips I-276
changing settings for IV-370–IV-371
chapter, compression, and scoring markers II-60
closing I-90, I-113, II-86
copying III-186, IV-89
copying between projects II-88
copying clips to or from II-411, II-412–II-415
copying portions of IV-112
copying to new projects IV-111
creating I-55, II-84–II-85
creating offline copies IV-113
default number of tracks II-85
deleting clips from II-200–II-202
deleting from projects I-58
deleting tracks from II-122