Apple Final Cut Pro 6 User Manual
Page 2020
Index
537
separating II-307
settings III-116
waveforms II-294
stereo pan III-73, III-133–III-135, III-188
stereo systems I-221
Still/Freeze Duration field IV-310
Still Cache III-632
still cache settings IV-320
still frames. See still images
still frames See still images
still images
See also graphics
still image icon IV-35
still images I-316, I-328
See also graphics
adding camera motion to III-379–III-385
alpha channels III-376
bit depth III-370
clips IV-32
color settings III-375
duration of III-378–III-379
exporting III-367, IV-247, IV-285–IV-287
flattening layers III-376, III-380
freeze frames III-366
importing III-407–III-409
overview III-365
pixels and III-369–III-374
in QuickTime files IV-229
real-time playback III-632
resolution III-369–III-371
scaling III-370, III-377
sequences IV-287
as titles III-480
STML text IV-246
Stop button II-361, IV-204
Stop Motion Blur filter III-252
stop-motion photography IV-408
stopping
batch capture I-278
playback I-100
stopping processes
Edit to Tape process IV-193
Media Manager processes IV-108
storage area networks (SAN) IV-18, IV-469
storage disks. See scratch disks
storage medium for video formats IV-376
storyboards II-97–II-98, II-138–II-139, IV-473
straight alpha channel III-412
straight cuts IV-473
straight edits II-207–II-209
streaming
described IV-473
QuickTime files IV-259–IV-264
Strip Existing Extension option IV-296, IV-297
strobe effects III-260, III-342
Strobe filter III-252
stuttering IV-442
stylize filters III-251
subclip icon IV-35
subclips II-35–II-43
automatically creating I-283
creating I-262
creating automatically II-39
creating media files for IV-115
described I-28, I-35, II-78, IV-32, IV-473
duration II-40
independent clips II-41
independent media files II-42
logging I-237
as master clips IV-47
master clips and II-38
Media Manager processes and IV-100
names IV-97
recapturing I-288
source files for II-37
subclip limits II-38
turning markers into I-262, II-39
using with mixed-frame rate sequences III-687
subframe audio adjustments II-51, II-305–II-309,
III-181
subframe keyframes III-130–III-132, III-178
subpixels III-479
Subtract compositing mode III-398
Summary area (Media Manager) IV-91
Summary tab IV-325, IV-333, IV-335
super (superimpose) output I-310
Super 16 format IV-473
Super 8 format IV-473
super-black IV-473
superimpose edits I-92, III-389, IV-473
described II-149
destination tracks and II-127
keyboard shortcuts II-148
performing II-162–II-164
superimpose output I-310
superimposition effects III-418
“super out” outputs IV-358
super-whites III-375, III-509, III-537, III-559, IV-473
Support ID IV-444
support websites I-11
surround sound IV-273
sustained transfer speed I-209, I-213
S-VHS format IV-414
S-Video connectors I-178
S-Video format IV-388, IV-473
S-Video signals I-178, IV-379
Swap button III-557
swap edits. See shuffle edits
Swap Slide transition II-391, IV-152
sweetening audio IV-58, IV-474