Apple Final Cut Pro 6 - Manual (Page 1493)

10 Contents
389 Video Sample Rate and Bit Depth
391 Video Compression
398 Video Formats Supported by Final Cut Pro
399 DV Formats
399 24p Video
399 High Definition Video Formats
401 Data Rate Comparisons
401 A Brief History of Film, Television, and Audio Formats
Appendix B 405 Frame Rate and Timecode
405 What Is Frame Rate?
406 Understanding Flicker and Perceived Frame Rate
407 Frame Rate Limits: How Many Frames per Second Is Best?
408 Choosing a Frame Rate
410 What Is Timecode?
410 About Drop Frame and Non-Drop Frame Timecode
413 Timecode on Tape
414 Comparison of Various Timecode Formats
Appendix C 417 Working with 24p Video
417 What Is 24p Video?
418 Telecine, Pull-Down, and Reverse Telecine
424 Film, 24p Video, and Cinema Tools
425 Working with 24p NTSC Video
425 Using an AG-DVX100 NTSC Camcorder with Advanced Pull-Down
Appendix D 427 Working with Anamorphic 16:9 Media
427 About Anamorphic 16:9 Media
430 Recording Anamorphic Video
431 Capturing Anamorphic Media
431 Changing Clip Properties for Anamorphic Media
432 Viewing and Editing Anamorphic Media
433 Specifying Sequence Settings for Anamorphic Media
434 Outputting Anamorphic Video to Tape
434 Exporting 16:9 Anamorphic Video
Appendix E 437 Solving Common Problems
437 Resources for Solving Problems
438 Solutions to Common Problems
444 Contacting AppleCare Support
Glossary 445
Index 481