Apple Final Cut Pro 6 - Manual (Page 2029)

546 Index
master clips. See master clips
matching audio for I-82, I-97
media files and I-35–I-37, I-286
media files for II-28, II-83
merged clips I-35
merged clips. See merged clips
modifying timecode in II-446–II-449
motion parameters III-256
motion paths for III-311
moving II-66, II-190–II-193, II-351, II-353
moving playhead I-95
multiclip layouts III-263
multiclips. See multiclips
names IV-17, IV-97, IV-139, IV-143
naming conventions II-245
in nested sequences II-419–II-420
notes about I-261
offline clips I-36, II-79, IV-72
opacity III-302–III-307, III-392
opening I-74–I-75, I-100, II-350, II-428
opening in external editors IV-321
organizing II-15–II-26, II-138–II-139
playhead controls I-80–I-81, I-95–I-96
playing I-79, I-94, I-100, I-103–I-104
properties II-80–II-84, IV-36–IV-42
recapturing I-275, I-288, I-294, IV-143
recently used I-88, IV-305
reconnecting to files I-36
redoing changes in II-94
reel names I-256
in reference movies IV-238
removing from sequences II-200–II-202
renaming I-58
renaming in Final Cut Pro XML Interchange
Format IV-157
render bars III-620
rendering separately III-652
replacing II-157–II-158
replacing sections of II-161–II-162
rerendering IV-241
resyncing II-159, II-222–II-226
ripple edits II-334
scaling III-377
scrubbing through I-67–I-68, I-102
searching for II-28–II-34
selecting II-171–II-182, II-184–II-185, II-344–II-346
selecting for Media Manager IV-89, IV-106
selecting in Browser I-55
selecting tracks to capture I-263
sequence clips IV-470
shuttling through I-103–I-104
sliding II-318–II-320
sliding frames to new times III-356
slipping II-369
snapping to points II-189–II-190
soloing III-420 sorting II-27–II-28, II-97
source tapes I-36
speed settings I-121, III-337–III-338, IV-101
split In and Out points II-114
start and end timecode II-84
subclips I-35, I-283–I-285, I-288
synced items I-110
tail clips IV-474
thumbnail display I-125
timecode I-110
timecode breaks in I-290, I-291
timecode tracks IV-147
in Timeline II-92
transferring projects to other systems IV-16
transitions II-373–II-380
trimming II-184–II-185, II-344–II-351, II-404–II-407
types of IV-31–IV-33
unused II-32
variable speed settings and III-341
varying speed I-103–I-104
video filters IV-139
XML elements for IV-158
video codecs. See codecs
video connectors I-178–I-179
video decks
analog I-185
audio mapping IV-218
calibrating timecode IV-357
capturing video with I-279–I-280
connecting video monitor through I-219
controlling I-205
device control I-287, IV-354–IV-355
logging tapes with I-310
manual use of IV-360
multiple decks I-205
Print to Video command IV-222
problems with I-203, IV-438, IV-442
recording from Timeline IV-223–IV-225
recording to IV-200
settings IV-192
setup I-162
smooth recording speed IV-224
Video Disk Units (VDUs) IV-476
video DVD-compliant formats IV-268
video equipment
analog I-185
attaching to computer I-162
capturing clips manually I-286
capturing video with I-279–I-280
connecting devices I-182–I-187, I-225
consumer devices I-186
controlling I-205
described I-172
device control I-287
DV audio channels I-301
Easy Setups for IV-192