Apple Final Cut Pro 6 - Manual (Page 2031)

548 Index
timecode on IV-413
tracks on IV-200
types of IV-376
unique reel names IV-146–IV-147
write-protection tab IV-194
videotape recorders. See VTRs
videotape timecode II-440
video tracks
See also audio tracks, tracks
adding I-116
adding to sequences II-142
analyzing IV-123, IV-124
applying filters to multiple tracks III-331
capturing I-243
compression IV-266
described II-120, IV-477
destination tracks II-123–II-126
disabling I-116
disabling in clips III-418–III-420
display size I-129
dragging clips into II-127
for DVDs IV-269
editing to tape operations IV-203
in EDLs IV-131, IV-136
invisible IV-313
locking I-116, II-128–II-129
number of I-125
in QuickTime movies IV-229, IV-241
resizing II-131
scrolling through I-139
selecting all clips on II-180
selecting for capture I-263–I-265
soloing III-420
Source controls I-115
source tracks II-125
switching angles II-274
in Timeline I-115, I-116
video transition icon IV-36
video transitions. See transitions
Vid Rate property II-448, IV-42, IV-46
View buttons III-70, III-77, IV-477
Viewer
activating I-74
adjusting audio levels III-115–III-118
audio controls II-289–II-291
audio level controls III-78
clips in II-298, II-350–II-351
closing I-74
compared to Canvas I-99
controls in I-75–I-76, I-79–I-81
creating motion effects in III-263–III-273
described I-73–I-76, IV-477
editing audio in II-292–II-294, II-298–II-300
Filters tab III-224–III-226
illustrated I-44
In and Out point settings II-103–II-104
markers in II-53–II-54, II-56
match frame operations II-431
moving and resizing window I-141
moving playhead in III-174
multichannel audio clips in I-301
multiclips in II-261–II-267
navigating in I-99–I-106
opening I-74
opening clips in III-324
opening exported files in IV-299
overlapping IV-439
Playhead Sync pop-up menu I-86, I-98
playing clips in I-100–I-102
resizing clips in II-351
ripple edits in II-329
roll edits in II-339
sequence clips in II-212, II-427–II-430
sequences in II-86
setting stereo pan/spread in III-119–III-121
source clips in I-115
split edits in II-232, II-233–II-234, II-237–II-240
switching to Canvas or Timeline II-429
synchronizing playhead in windows II-434–II-437
tabs I-49, I-75, I-77–I-79
timecode overlays I-109
trimming clips in II-298–II-300, II-342
turning off audio scrubbing in II-297
“Unrendered” message III-648
uses I-73–I-74
using timecode in I-107–I-110
viewing alpha channels in III-415–III-416
viewing filters in III-168
viewing RGB channels in III-415–III-416
View pop-up menu I-83
working with keyframes in III-99, III-123–III-127,
III-291–III-301
working with markers in II-53–II-54
Zoom pop-up menu I-83
View Final/Matte/Source button III-605
View Finder filter III-252
View menu I-222, II-212, II-428
View Native Speed command III-363
View Native Speed option II-75, II-442
View pop-up menu I-85, I-98
Canvas I-85, I-98
Viewer I-76, I-83, I-92
visibility of audio tracks III-71
visibility of tracks IV-313
visible timecode. See window burns
VITC (vertical interval timecode) IV-352, IV-356,
IV-413, IV-414, IV-478
Vocal DeEsser filter III-160
Vocal DePopper filter III-160
voiceover
audio equipment for III-138–III-141
audio-recording devices for III-138