Apple Final Cut Pro 6 User Manual
Page 791

6
Contents
Displaying Filter Keyframes in the Timeline
Modifying and Removing Filters
Making Real-Time Audio Filter Adjustments
Automating Audio Filter Parameters with Keyframes
Saving a Filter or Transition as a Favorite
Installing Third-Party Audio Units Filters
Learning to Describe Sound Accurately
Efficiently Using the Frequency Spectrum
Exporting Audio for Mixing in Other Applications
Ways You Can Finish Your Audio
Organizing Your Audio Clips for Multitrack Export
Exporting Audio Tracks to Individual Audio Files
Preparing to Export Audio Tracks as Audio Files
Exporting Audio Tracks as Individual Audio Files
Exporting Audio Output Groups to AIFF Files
Example: Exporting 12 Tracks to Three Stereo Audio Files
Automatic Filenaming During Export to AIFF Files
Preparing to Export Audio to AIFF Files
Using the Export Audio to AIFF(s) Command
Exporting Multichannel QuickTime Files
Limitations of OMF Exporting in Final Cut Pro
Exporting Sequence Audio to an OMF File
Exporting Audio Clip Information to an EDL
Working with Soundtrack Pro and Logic Pro
Using Soundtrack Pro with Final Cut Pro
About Soundtrack Pro Audio File Projects
Methods for Sending Audio from Final Cut Pro to Soundtrack Pro
Sending Individual Audio Clips from Final Cut Pro to Soundtrack Pro
About Soundtrack Pro Multitrack Projects
Creating Soundtrack Pro Multitrack Projects from Final Cut Pro Clips or Sequences
Initiating Soundtrack Pro Conform with Final Cut Pro
Using Logic Pro with Final Cut Pro
Importing Final Cut Pro XML Files into Logic Pro
Exporting a Final Cut Pro XML File and an Audio Mixdown from Logic Pro