Apple Final Cut Pro 6 - Manual (Page 1977)

494 Index
currently selected clips II-172
cutting II-207–II-209
deleting from projects I-58
described I-28, IV-451
deselecting II-178
disabling audio/video tracks in III-419–III-420
displaying in Transition Editor II-402
distorting shape III-280
dragging to Timeline II-127, II-137–II-143
duplicate frames I-132
duplicate names I-273
duration II-104, II-211, II-351, II-407, III-378
DV video and fuzziness IV-442
editing III-411
editing into sequences II-165–II-166
editing multiple clips II-138–II-139
in EDLs IV-130, IV-135
exporting audio from IV-235
exporting to QuickTime IV-236
filenames I-251, I-273, I-283
filters III-218–III-232, IV-139
frame rates I-278
ganging playhead options II-436
generator clips I-74, III-447–III-454
handles I-258, I-276, II-99, II-374
head clips IV-458
heads and tails II-374
hiding portions of III-405
In and Out points I-82, I-97, I-242, I-257, II-96,
II-99–II-104, II-112, II-113, II-165, II-165–II-170
independent clips I-319, II-41, II-430
independent clips. See independent clips
jogging through I-104
keyframe effects and III-289–III-307
keyframes I-82, I-97
keyframes in III-124–III-125
labels I-121
labels for II-23–II-26
layering in the Timeline III-389
linked clip items II-142
linked clips I-121, II-176, II-214
links to source media IV-74–IV-76
listing recently used I-88
logging I-236–I-238, I-247, I-259–I-261, I-266–
I-267, IV-146
looping playback I-105
making invisible III-419
managing. See media management
manipulating in the Canvas III-274–III-285
markers I-82, I-97, I-262, II-54, II-55, II-57, II-59
marking while logging I-262–I-263
master clips I-57
master clips. See master clips
matching audio for I-82, I-97
matching video for I-82, I-97
media files and I-35–I-37, I-286 media files for II-28, II-83
merged clips I-35, I-289
merged clips. See merged clips
modifying timecode in II-446–II-449
motion paths for III-311
motion path speed III-317–III-319
motion settings III-256–III-258
moving II-66, II-190–II-193, II-351, II-353, III-261–
III-262, III-279, III-389
moving between III-554
moving playhead I-95
multiclip layouts III-263
multiclips. See multiclips
names IV-17, IV-97, IV-139, IV-143
naming conventions II-245
in nested sequences II-419–II-420
notes about I-261
offline clips I-36, II-79
opacity III-302–III-307, III-390–III-392
opening I-74–I-75, I-100, II-298, II-350, II-428
opening in external editors IV-321
opening using Timeline motion bars III-324
organizing II-15–II-26, II-138–II-139
outgoing and incoming II-342, II-358, II-363,
II-364, II-398
pan III-118–III-121, III-133–III-135
parameters III-289–III-307
playback speed III-338–III-340, III-344
playing I-79, I-94, I-100–I-106
playing in reverse III-343, III-344
properties II-80–II-84, IV-36–IV-42
recapturing I-275, I-288, I-294, IV-143
recently accessed IV-305
reconnecting to files I-36
Redo command I-52, II-94
reel names I-256
removing attributes III-330
removing from sequences II-200–II-202
renaming I-58
renaming in XML Interchange Format IV-157
replacing II-157–II-158
replacing sections of II-161–II-162
rerendering IV-241
resizing name labels I-141
resyncing II-222–II-226
ripple edits II-334
rotating III-279
scaling III-278, III-280
scrubbing I-67–I-68, I-102
searching for II-28–II-34
selecting II-171–II-182, II-184–II-185, II-344–II-346
selecting for Media Manager IV-89, IV-106
selecting in Browser I-55
selecting multiple clips II-178
selecting tracks to capture I-263–I-265
sequence clips I-123, II-350, II-427–II-430, IV-470