Apple Final Cut Pro 6 User Manual
Page 1969
486
Index
syncing. See audio-video sync
timecode I-110
timecode breaks in I-291
in Timeline II-92, II-301
transitions II-305, II-373–II-380
trimming II-184–II-185, II-298–II-300, II-344–II-351,
II-404–II-407
trim points II-344–II-346
types of II-78
unused II-32
using with different video clips III-180
variable speed settings and III-341
varying speed I-103–I-104
Viewer controls II-289–II-291
volume II-289, II-290
waveform displays II-287–II-292
zoom controls II-294–II-296
Audio command III-118
Audio Controls button I-120, I-121
audio cues III-144
audio decks IV-347
audio EDLs
connecting I-172, I-198–I-199
connectors I-192–I-193
control surfaces III-100
device control I-304–I-305
input and output devices I-172
monitor choices III-53
monitor setup III-50–III-53
non-device control equipment I-306
professional vs. consumer I-196
recording quality III-31
sample clocks I-307
sample rate and bit depth I-323
setup I-162
signals and cables I-196–I-198
speakers III-53
synchronizing I-200
for voiceover III-138–III-141
warnings I-225
audio files
conversion I-323–I-325
file formats I-23
formats. See audio formats
formats that can be imported I-315
names III-192
sample rates I-323–I-325
audio filter icon IV-36
audio filters III-153–III-161
See also filters; specific filter names
applying III-164–III-166
applying multiple filters III-165
Audio Units filters III-176
categories III-154–III-161
changing order of III-169
compression filters III-157
controls III-163
copying/pasting between clips III-165–III-166,
III-329
displaying in Timeline III-167
EDLs and IV-144
effects filters III-160
enabling/disabling III-169
equalization (EQ) filters III-154–III-156
expansion filters III-158
favorite filters III-176
keyframing III-172–III-175
noise reduction filters III-159–III-160
parameters III-172
postproduction and III-184
real-time adjustments III-169–III-170
recording automation III-170
removing III-169, III-188
rendering III-116, III-636
stereo pairs and III-162
viewing in Viewer III-168
Audio Format option (DV Export settings) IV-264
audio formats
exporting QuickTime-compatible format IV-247
file formats IV-235
history of IV-401–IV-403
for video DVDs IV-272
Audio Insert control IV-203
Audio Interchange File Format. See AIFF files
audio interfaces
advantages I-174
output presets and III-45
selecting III-38
setting up III-138
setup I-162
types of I-187–I-191
Audio Keyframe Recording preference III-92
audio levels
adjusting I-302–I-304, III-62–III-68, III-85–III-88,
III-115–III-118
adjusting in Timeline III-111–III-115
adjusting in Viewer III-115–III-118
capture settings I-266
clipping indicators III-76
controlling III-113, III-129–III-130
copying settings III-329
eliminating clicks III-130
faders III-73, III-85–III-88
keyframes and III-113, III-116, III-122–III-128,
III-129–III-130, IV-314
labeling tapes III-68
measuring III-23
mixed III-60–III-61, III-128, IV-149
monitoring III-57–III-61
peaks I-304