Apple Final Cut Pro 6 - Manual (Page 1966)

Index 483
capturing IV-340
described IV-447
editing IV-432
exporting to QuickTime IV-434
recording IV-430
rendering IV-434
viewing IV-432
anchor items II-217, II-223, II-225, IV-447
anchor points III-258, IV-447
Angle control IV-447
Angle property II-245, II-246, IV-37
angles I-260
active angles II-262, II-270
adding to multiclips II-264–II-267
angle numbers II-243, II-245, II-246, II-263
audio-only II-262
in Browser II-260
collapsing and expanding II-281
deleting II-264
described II-241
drop shadows III-259
filters II-279
media management II-284
Media Manager settings IV-97
motion paths III-316
moving II-263
Multiclip Playback mode II-276–II-278
multiclips and IV-35
names II-263
offline II-262
playback quality II-278
reconnecting and recapturing II-284
resynchronizing II-267
rotating clips III-228
switching and cutting between II-270–II-274
switching tracks II-274
switching with effects II-280
synchronizing in multiclips II-247
in Viewer II-261–II-267
animating still images I-332
animation
with keyframes III-287–III-321
animation, frame counters and II-441
Animation codec IV-27, IV-233
annotating clips I-261
Anti-alias filter III-251
A-only edit IV-447
Aperture image libraries I-332
AppleCare Knowledge Base IV-437
AppleCare Support IV-437, IV-444
Apple FireWire Basic protocol IV-354
Apple FireWire NTSC option I-223
Apple FireWire PAL option I-223
Apple FireWire protocol IV-354
Apple Intermediate Codec III-638
Apple M-JPEG codecs IV-233
Apple Pixlet Video codec IV-393
archiving projects IV-23–IV-24
on DVDs IV-267
Media Manager processes IV-119
zip archives IV-66
Arithmetic filter III-242
A-roll editing IV-447
Around option IV-224
Arrange command I-69, I-144
artifacts
analog video and I-178
compression artifacts IV-275
exported freeze frames III-368
graphics clips III-369
Motion J-PEG and IV-233
recording speed and IV-224
video codecs and IV-233, IV-234
aspect proportions of text III-479
Aspect Ratio parameter III-377
aspect ratios IV-445, IV-447
desktop preview and I-227
distorting clips III-259
imported files I-320
list of IV-381
pixel aspect ratio III-377, IV-363, IV-375, IV-384
pixel shape III-371
video frames I-24, IV-380
Assemble Edit button IV-211
assemble editing IV-210–IV-211
blacking tapes and IV-195
described IV-198, IV-447
editing to tape IV-190, IV-199
requirements IV-200
asymmetrical trimming II-331, II-332–II-334
ATA disks I-213
A tracks IV-131
ATSC (Advanced Television Standards
Committee) IV-378
Attack Time control III-158, III-159
attenuating audio signals III-158
attenuating signals IV-369, IV-447
attributes (XML) IV-155, IV-158
Aud Format property IV-37, IV-46
audio III-177–III-185
acoustic environments III-161
amplitude III-22
analog levels I-303
angles (multiclips) II-262
audio attributes III-121, III-165–III-166, III-329
audio-only media files I-296
audio sweetening III-183
background noise III-181
bit depth I-323, III-29, IV-258
capture presets IV-345–IV-347
capturing I-295–I-308, IV-346–IV-347, IV-443
channel indicators IV-448