Apple Final Cut Pro 6 - Manual (Page 1971)

488 Index
DVD tracks IV-272
editing to tape operations IV-203
empty IV-257, IV-265
exporting AIFF files III-185–III-194
exporting downmixes III-192
exporting individual files III-189
exporting OMF files III-195–III-198
finding items in II-184
gaps in II-202, II-203–II-205
height II-302
inserting sync beeps in III-186–III-188
invisible tracks II-129–II-130, IV-313
labels I-126, III-68
layouts II-133
level meters III-74
linking mono tracks II-229
locked tracks II-126, II-128–II-129, II-343
locking I-116, IV-264
looping playback III-96–III-98
moving audio clips between II-304–II-305
multichannel audio files I-300
in multiclips II-242
muting III-72, III-82–III-83
names II-304, III-71, III-72
number of I-125
offsets II-143
organizing III-78, III-184
pasting clips onto II-196–II-199
playing in Trim Edit window II-369–II-370
in QuickTime movies IV-229, IV-241
real-time mixing III-634, IV-305, IV-439
render status III-648
resizing in Timeline II-131–II-132
ripple edits II-332
roll edits II-338
scrolling through I-139
scrolling vertically through II-133–II-135
selecting II-174, II-180–II-182, II-185–II-188
selecting all clips on II-180
selecting for capture I-263–I-265
selecting items forward or backward on II-181
selection tools II-180–II-182
separation II-143
in sequences II-85
soloing III-73, III-84
Source controls I-115
stereo pairs II-229
stereo recordings III-28
switching angles II-274
in Timeline I-116
track strips in Audio Mixer III-78–III-80
views of III-78–III-80
visibility III-71
voiceover III-139, III-143, III-147
waveforms II-301
working with regions II-133–II-135 audio transition icon IV-36
audio transitions
adding II-378
default II-377, II-386
saving as favorites II-386
swapping II-385
types of II-372
Audio Units plug-ins III-154, III-176, IV-448
Audio-Video Interleaved format. See AVI format
audio-video sync (A/V sync) II-213–II-228
asymmetrical edits and II-333
marking clips in sync II-227–II-228
moving items into sync II-222–II-228
moving items out of sync II-215–II-216
multiple linked audio items II-217–II-218
reasons for breaking sync II-226
replace edits and II-159
selecting linked items II-221
slipping clips into sync II-223
subframe synchronization II-308–II-309
Aud Rate property IV-37, IV-46
AU format I-315
Auto-Balance eyedropper III-571
Auto Black Level button III-572, III-581
Auto Contrast button III-572, III-581
Auto Contrast controls III-572, III-581, III-582
“Automatically edit new multiclip(s)” option II-254
automatic filenaming I-283
Automatic Save Every setting II-73, IV-307
automation. See mixer automation
auto-recording feature IV-354
Auto Rendering feature III-658, III-677
Auto Render option IV-309, IV-448
autosave feature II-77, IV-20–IV-22
autosave files IV-20–IV-22
first-in, first-out strategy IV-21
power failures and IV-23
autosave files I-39
Autosave Vault II-73, II-77, IV-20–IV-22
Auto Select controls I-116, III-331
copying clips from sequences II-414
copying operations and II-198
destination of pasted clips II-123
specifying tracks II-185–II-188
Timeline selections II-172
track precedence II-112
Auto White Level button III-572, III-581
auxiliary sources in EDLs IV-131
auxiliary timecode tracks II-47, II-249, II-443
Aux TC checkboxes (Modify Timecode
command) II-448
Aux TC properties IV-38
Aux TC tracks. See auxiliary timecode tracks
Aux timecode tracks IV-99, IV-147
average audio levels III-57, III-59, III-68
average loudness IV-448