Apple Final Cut Pro 6 User Manual
Page 2002
Index
519
modem adapters I-202
Mode pop-up menu IV-202
modifier keys I-149
Modify Timecode dialog II-447–II-448, IV-36
“monitor out” outputs IV-358
monitors
4:3 monitors IV-434
audio III-50–III-53, III-55
calibrating III-541
Digital Cinema Desktop Preview feature I-226–
I-228
external video monitors I-173
levels III-52
problems with IV-438, IV-442
real-time effects and III-629
record monitors IV-467
refresh rates and IV-439
resolution I-145
source monitors IV-472
standard definition (SD) III-373
linking II-229
panning II-290
in Viewer II-293
mono audio channels I-264, I-297, I-300, III-190
mono audio pairs III-116
Mono tabs II-293
montage editing II-241, IV-463
More option for searches II-30
Motion III-493
freeze frame of project III-367
opening clips in III-484
motion analysis data III-468
motion bars I-128, II-174, III-324
displaying III-350
speed setting display III-349
variable speed settings III-348, III-358
Motion Blur
rendering III-676
smoothing slow motion III-343
Motion Blur effect IV-367, IV-463
Motion Blur parameter III-257, III-260
motion-camera techniques III-365
Motion clips III-502–III-503
motion control cameras III-379
motion effects I-78
animating with keyframes III-287–III-307
controls III-258–III-261
copying III-328
creating in Canvas III-274–III-285
described III-255
examples of using III-263–III-273, III-282–III-285
favorites III-320–III-321, III-332
keyframe controls III-291
motion parameters III-256–III-261
rendering options III-662
settings III-256–III-258, III-263–III-273, III-282–
III-285
speed III-337–III-363
still images III-379–III-385
Motion Filtering Quality pop-up menu III-667
Motion JPEG. See M-JPEG codecs
Motion JPEG codecs. See M-JPEG codecs
motion keyframes I-82
motion parameters I-129, II-279, III-256–III-261,
IV-144
described III-255
rendering and III-645
motion paths III-290, III-311–III-319, IV-463
adding keyframes to III-314
controlling speed III-317–III-319
creating III-313–III-316
curving with Bezier handles III-314–III-316
deleting keyframes in III-314
described III-312
moving III-320
moving keyframes in III-314
Motion project files III-502
motion settings I-78
Motion tab I-78, II-279, III-256–III-273
adjusting clip opacity in III-392
examples of using III-263–III-273
keyboard modifiers III-258
keyframe controls III-291–III-301
settings III-256–III-273
variable speed settings III-348, III-362
working with keyframes in III-294–III-298
Motion template files
described III-493–III-494
installing III-503
Move into Sync command II-222
Move Others into Sync command II-225
.mov extension IV-228, IV-296
Movie Analysis window IV-123
moviemaking process
shooting ratios I-32
workflow I-15–I-16
movies
See also QuickTime movie files
animation movies IV-233
AVI movies IV-264–IV-266
exporting IV-237–IV-241
reference movies I-330, IV-238–IV-241, IV-259,
IV-442
self-contained movies I-330, IV-238–IV-241,
IV-259
uncompressed movies IV-233
moving items
angles in multiclips II-263
audio clips to other tracks II-304
back into sync II-222–II-226
between bins II-21