Apple Final Cut Pro 6 User Manual
Page 2006
Index
523
output in post-production process I-20
output process
anamorphic video IV-434
Edit to Tape command IV-190
media management and IV-16
online editing workflow and IV-65
output described IV-464
playback settings IV-193
Print to Video command IV-190
recording from Timeline IV-191
output requirements
Betacam SP output IV-189
Digital Betacam IV-189
DV output IV-189
VHS output IV-189
Outputs pop-up menu IV-369
Out Shift indicator II-363
Oval Iris transition IV-151
Oval transition II-390
overlapping items in Timeline II-215
overlapping timecode II-253, II-259–II-260
Overlay compositing mode III-401
overlays
adjusting III-114, III-126, III-174, III-297
audio II-302, III-121
Canvas Edit Overlay II-423
described I-85
displaying II-176, II-302
Edit Overlay I-93
ends of clips II-102
level overlays II-289, III-117
for multiclips II-263
pan overlays II-289, III-121
timecode overlays I-85, II-445
overlays, audio III-188
oversaturated color III-537
oversaturation III-578, III-583
overscan area IV-465
overtones III-20, III-21
overwrite editing IV-465
overwrite edits I-92
angles in multiclips II-266
avoiding nested sequences II-424
as default II-147
described II-148
keyboard shortcuts II-148
performing II-139–II-141, II-153–II-154
in sequences II-414
in Timeline II-139
overwrite with transition edits I-92, II-148, II-149,
II-154–II-155, II-375
P
P2 (Professional Plug-in). See Panasonic P2 cards
Packet Duration Limit option IV-260
packets IV-260
Packet Size Limit option IV-260
Page Peel transition II-390, IV-151
paired track names II-304
PAL format III-373, IV-377
24 @ 25 PAL format II-449, II-451
color bar standards III-540
contrast levels III-544
described I-23, IV-465
equipment I-179
fps IV-406
frame rates IV-409
non-drop frame timecode II-441
OfflineRT format and IV-61
recompressing IV-93
adjusting for clips III-89–III-91, III-120–III-121
audio tracks III-73
changing in Timeline III-118
controlling with keyframes III-89–III-91, III-123–
III-127, III-133–III-135
control surfaces and III-100
copying settings III-329
overlays III-121
recording keyframes III-93–III-96
recording pan automation III-77
setting in Viewer III-119–III-121
pan, controlling with keyframes III-98–III-100,
III-133–III-135
Panasonice P2 cards IV-465
Panasonic P2 cards
See also Broadcast HD formats I-321
Panasonic RS-232 protocol IV-355
Panasonic RS-422 protocol IV-355
Pan attribute III-121
pan controls III-90, III-100
Pan Keyframe button II-291, III-124
Pan keyframe navigation buttons II-291, III-124
pan keyframes III-188
deleting III-99
modifying III-98
recording III-93
recording with control surfaces III-108
pan overlay II-289, II-291, III-121
Pan slider II-290
Pan sliders III-73, III-119–III-121
Parade scope III-512, III-518–III-519, IV-465
parallel (Ultra) ATA disks I-213
parameter controls III-224
parameters III-260, III-363