Apple Final Cut Pro 6 User Manual
Page 2019
536
Index
quality III-53
self-powered III-54
television speakers III-67
volume settings III-53
special characters in clip names IV-17
special characters in filenames I-38
special effects IV-223, IV-472
speed
speed, processing
rendering and III-645
scratch disks and III-625
Speed dialog III-344
speed effects III-196
speed indicator area III-349
speed indicators I-121, I-129, III-168, III-323, III-350–
III-353, IV-472
speed of clips
clip duration and III-338
constant speed III-341, III-344
copying settings III-329
fit to fill edits and III-339
Frame Blending III-342
graphical displays in Timeline III-348–III-349
keyboard modifiers III-356
in motion paths III-317
multiclips II-279
native speed II-75
reverse speed III-342
settings III-337–III-363
smoothing slow motion with Motion Blur III-343
speed indicator area III-349
speed indicators III-350–III-353
timecode and II-442, III-363
time remapping and III-260, III-353–III-363
variable speed III-342, III-345, III-348–III-363
speed of clips, varying I-103
speed of scratch disks II-278
speed settings IV-101, IV-150
Spill Suppressor - Blue filter III-247, III-428
Spill Suppressor - Green filter III-247, III-428
Spin3D transition II-389, IV-151
Spinback3D transition II-389, IV-151
spindle speed I-209, I-213
Spin Slide transition II-391, IV-151
split editing IV-133
split edit points II-114, II-235–II-236
split edits IV-472
asymmetrical edits II-332
audio cuts and II-313–II-314
audio editing tips II-286
changing simple edits to II-234
clearing II-236
described II-231
examples II-237–II-240
modifying II-235–II-236
performing II-237–II-240
setting up II-233–II-236
split edit points II-233–II-234
in Viewer or Canvas II-232
splits IV-472
split screen display III-557, III-594
Split Slide transition II-391, IV-152
split stereo files III-28
spotlight effects III-405
spreadsheets I-310
sprocket holes I-74, II-428
square pixels III-371–III-374, IV-385
Squeeze and Stretch transition II-392, IV-152
Squeeze transition II-392, IV-152
S sounds III-160
standard columns I-60
standard definition video. See SD video
standard definition video formats IV-377, IV-401
standard element timing IV-208
Standard window layout I-144
standing waves III-55
Star Iris transition IV-151
Start/End Percentages slider II-399
start/stop metadata I-283
Starting option for timecode II-448
starting points for filters III-222, III-226
starting timecode II-257–II-258, II-448, II-449
starting timecode delta II-253, II-257
“Starting timecode delta” option II-253
Starting Timecode field I-125
Starting Timecode number field II-449
Star transition II-390
Start Time setting IV-139
startup disks I-212
static regions II-133–II-135, IV-472
status of voiceover recordings III-142
Status option IV-297
stem mixes III-191
stereo audio III-26–III-28
channels I-264, III-190
choosing in presets III-41
described IV-473
levels III-60–III-61
stereo pairs IV-473
Stereo Grouping buttons IV-369
Stereo Mixed option III-46, IV-365
Stereo output IV-257
stereo pairs I-122, I-297, I-300
adjusting levels III-86
creating II-306–II-307
described II-228
filters and III-162
nested sequences II-417
paired track names II-304
pan and III-116, III-118
panning II-290