Apple Final Cut Pro 6 - Manual (Page 2023)

540 Index
timecode gaps I-293
types of I-291
Timecode Duration field I-76, I-92, I-106, I-240,
IV-202
Timecode field II-448
Timecode Generator filter II-452
Timecode Insert control IV-203
timecode numbers II-439
Timecode Rate pop-up IV-363
Timecode Reader filter II-452
Timecode Synchronization pop-up menu II-253
Time Display option II-75
Time Display pop-up menu II-444
Time Graph III-359, III-362
Time Graph Output parameter III-363
time lapse photography IV-405
time-lapse photography IV-408
Timeline
Audio Controls button I-120, I-121
audio editing II-301–II-305
audio levels III-111–III-115, III-129–III-130
audio waveforms I-126
automating audio levels III-129
Auto Select controls I-116, II-185–II-188
Canvas and I-111
changing pan in III-118
clips in II-92, II-292
color-coding and II-206
copying and pasting clips II-196–II-199
currently selected items II-171–II-173
customizing display II-130–II-135
cutting clips in II-207–II-209
deleting items in II-200–II-202
described I-111, IV-475
deselecting items in II-178
displaying the keyframe area III-325
display options I-124–I-132
dragging audio clips to II-298
dragging files to I-319
drag-to-Timeline editing II-137–II-139
drop frame timecode I-125
duplicate frames indicators I-131–I-132
duration of clips in II-211
editing in II-269
editing multiclips in II-269
filter bars I-128, III-167, III-230, III-322, III-324
filters III-167
finding items in II-183–II-184
illustrated I-44
In and Out point settings II-106–II-114
jumping to locations in I-133
keyframe area III-322
keyframe editor I-129, III-167, III-323, III-325
keyframe graphs III-322–III-324
keyframes III-99, III-113
labels for clips II-206
layering clips in III-389
linked clips II-214
Linked Selection button II-221
linking items in II-219–II-220
locking tracks in II-128–II-129
looping audio tracks III-96–III-98
markers in I-96, II-54–II-55
match frame operations II-433
merged clips in II-50
motion bars I-128, III-324
moving and resizing window I-141
moving clips within II-66, II-190–II-193
mute button I-120
navigating in I-114–I-119, I-132–I-139
navigating with timecode II-352
opacity levels III-391–III-418
opening sequences in I-113
overview I-114–I-124
playback options IV-224
playhead in I-86, I-117, I-139
positioning playhead in IV-224
preferences IV-315
recording from IV-219, IV-223–IV-225
recording to tape directly IV-191
render bars III-620, III-646
replacing clips from In point II-157
resizing text labels I-141
resizing tracks II-131–II-132
ripple edits II-327, II-328–II-329
roll edits II-336–II-337
ruler I-117
screen text size IV-309
scrolling in I-138–I-139, II-133–II-135
scrubbing sequences in I-133
selecting clips in II-176–II-182, II-184–II-185,
II-345–II-346
selecting edit points II-345–II-346
sequence clips I-123
sequences in II-86
setting destination tracks II-124
settings II-89–II-90
showing clips in III-419
slide edits II-318–II-321
slipping clips II-321–II-325
snapping in II-189–II-190
solo button I-120
Source and Destination controls II-123–II-127
speed indicator area III-349
speed indicators I-121, I-129, III-168, III-323,
III-350–III-353
speed settings III-348–III-349
starting timecode number I-125
static regions for tracks II-133–II-135
switching to Canvas or Viewer II-429
synchronizing playhead with Viewer II-434–II-437
tabs I-49