Apple Final Cut Pro 5 - Manual (Page 8)

Contents 7
272 Capturing an Entire Tape Using Capture Now
273 Automatically Creating Subclips Using DV Start/Stop Detection
276 Capturing Footage Without Device Control
276 Capturing Footage That Doesn’t Have Timecode
277 Using a Non-Controllable Device for Capture
278 Recapturing Clips
278 Recapturing Subclips
278 Recapturing Merged Clips
279 Capturing Footage With Timecode Breaks
279 The Importance of Avoiding Timecode Breaks
280 How to Avoid Capturing Clips With Timecode Breaks
283 Using the Media Manager After Capturing
Chapter 20 285 Capturing Audio
285 About Capturing Audio
287 Capturing Audio-Only Media Files
287 Capturing Multiple Audio Channels
292 Adjusting Analog Audio Levels for Capture
294 Capturing Audio From an Audio Deck Using Device Control
296 Capturing From an Audio Device Without Device Control
296 Capturing Synchronized Audio Independently From Video
Chapter 21 299 Working With Batch Lists
299 What Is a Batch List?
300 Creating a Batch List
303 Importing a Batch List
Chapter 22 305 Importing Media Files Into Your Project
305 What File Formats Can Be Imported?
306 Importing Media Files
310 About Importing Video Files
313 About Importing Audio Files
316 Importing Still Images and Graphics
316 Importing Numbered Image Sequences
Chapter 23 321 Using Color Bars for Video Calibration
321 Using Color Bars
322 Calibrating Brightness and Color on Analog Equipment
323 How Digital Video Levels Are Measured in Final Cut Pro
325 Measuring Analog Video During Output
325 Using the Waveform Monitor and Vectorscope
330 Outputting Accurate DV Black Levels Using FireWire
330 Using an External Waveform Monitor and Vectorscope to Calibrate Analog Video Levels
331 Calibrating Video Monitors With Color Bars