Apple Final Cut Pro 5 - Manual (Page 791)

4 Contents
Chapter 4 51 Audio Levels, Meters, and Output Channels
51 About Audio Meters
51 Average and Peak Audio Levels
52 Average Versus Peak Audio Meters
53 Analog Versus Digital Meters
55 About Audio Meters in Final Cut Pro
57 Audio Peak Detection
58 Setting Proper Audio Levels
58 Setting Levels for Capture
58 What Reference Level Should You Use for Mixing?
60 Outputting Bars and Tone at the Head of Your Tape
61 Working With Multiple Audio Output Channels
61 About Audio Output Presets
64 Downmixing Multiple Audio Channels to a Stereo Mix
65 Stereo Versus Dual Mono Audio
Chapter 5 67 Overview of the Audio Mixer
67 About the Audio Mixer
68 Controls in the Audio Mixer
77 Using Audio Mixer Views
Chapter 6 79 Using the Audio Mixer
79 Making Basic Audio Adjustments With the Audio Mixer
80 Using the Mute Button to Silence Audio Tracks
82 Using the Solo Button to Listen to Individual Tracks
83 Using Faders to Adjust Audio Levels
86 Adjusting the Master Level of Your Sequence
87 Making Stereo Pan Adjustments With the Audio Mixer
87 Stereo Versus Dual Mono Output Channels
87 Stereo Versus Dual Mono Audio Clips
88 Changing a Clip’s Pan
89 About Mixer Automation and Keyframe Recording
90 Specifying Audio Keyframe Recording Resolution
90 Recording Audio Level and Pan Keyframes
94 Looping Playback to Mix Each Track
96 Modifying Recorded Keyframes
98 Deleting Audio Level and Pan Keyframes
98 Using a Control Surface With the Audio Mixer
99 Connecting a Control Surface
104 Using a Control Surface With the Audio Mixer
106 Recording Audio Mixer Keyframes Using a Control Surface