Apple Final Cut Pro 5 User Manual
Page 1832
Index
481
changing clip settings I-254
clips IV-137
described I-19, I-225, IV-425
duplicate timecode numbers I-257–I-259
entering data I-232, I-249–I-251
importance of I-237
In and Out points I-247
incrementing numbers I-249
keyboard shortcuts for I-257
Log and Capture window settings I-229–I-234
logging bins I-245–I-246
logging clips I-256–I-257
log notes I-250
marking while logging I-251–I-252
media management and IV-16
monitoring video and audio during I-242
preparing for I-235, I-239
reel names I-240, I-246
selecting tracks to capture I-253–I-255
shooting scripts and I-259
steps in I-243
techniques I-226–I-228
tips for I-257
window dubs I-301
Logging tab I-232, I-243, I-251
Logic Control XT control surface III-99
Log Note field I-250
Log Note property IV-38, IV-49
long frame markers II-56
long frames IV-113–IV-114
See also dropped frames
longitudinal timecode (LTC) IV-386
longitudinal timecode. See LTC (longitudinal
timecode)
long-term archiving IV-24
looped playback IV-212, IV-425
looping playback I-103, II-372
ADR. See automatic dialogue replacement
audio tracks III-94–III-95
filter adjustments and III-166
looping sequences IV-212
Loop setting IV-194
lossless compression IV-233, IV-250, IV-364
lossy compression IV-364, IV-365
loudness
Lower 3rd text generator III-498
low-frequency effects (LFE) III-20
low-range frequencies III-153
low-resolution media
capturing IV-18
offline/online editing IV-51, IV-54
low-resolution render files III-541
LTC (longitudinal timecode) IV-326, IV-331, IV-386,
IV-425
luma
adjusting I-332
luma clamping I-323
measuring I-321
overlays I-83
values per pixel I-323
luma (luminance) IV-353, IV-362, IV-425
luma clamping III-552
Luma control III-397, III-477
luma key IV-425
Luma Key filter III-209
luma keying III-386, III-388, III-393
luminance IV-425
blacks, mids, and whites ranges III-420
broadcast legal levels III-421–III-423
broadcast safe controls III-487
described III-418
in Histogram III-431
saturation display III-426
luminance gain I-331
Luminance Map transition II-393, IV-142
M
M+ pointer IV-44
Mackie control surface III-99
Mac OS, version of IV-403, IV-408
Mac OS X
Core Audio I-201
showing and positioning the Dock I-51
Mac OS X Core Audio III-24, III-61
MacPaint format I-306, IV-235
macroblocks IV-356
Macromedia Flash format I-305
magnetic tape characteristics IV-351
magnifying view. See zoom controls
magnifying views. See zoom controls
Make File Names Unique option IV-134
Make Independent Clip command IV-46
Make Master Clip command IV-43, IV-44
Make Movie Self-Contained option I-318, IV-240,
IV-255, IV-274
Make Multiclip dialog II-249, II-253
Make Multiclip Sequence dialog II-249, II-258–II-260
Make New Clip option I-280, I-281
Make Offline command IV-66
Make Subclip command II-37
map transitions II-393
Mark Audio Peaks command I-294, III-57, IV-110,
IV-115
Mark Clip button I-80
marker icon IV-33
marker list for logged clips I-252
markers
adding to clips or sequences II-57, II-59
adding while logging I-251–I-252