Apple Final Cut Pro 5 - Manual (Page 1803)

452 Index
rendering video effects and III-530
resampling for III-543
stem mixes III-19
tips for working with stereo III-96
Audio Mixing screen layout I-142
audio monitors I-160, I-164
equipment III-23
final mixes and III-19
levels III-34
setting up III-27
audio-only angles II-268
audio output presets III-61, III-62
Audio Outputs Preset Editor III-63
Audio Outputs tab III-62, IV-293, IV-342
Audio Output tab I-215
audio overlays IV-150
adjusting pan or spread III-120
adjusting volume III-116
audio peak markers IV-115, IV-116
audio peaks I-294, III-57, IV-115–IV-116
Audio Playback Quality setting I-314
audio postproduction
applications IV-53
options for IV-145
Audio property IV-35
audio quality IV-338
audio render bar I-121
audio render status bar III-537
audio scoring markers IV-243
audio signals
cables and III-28–III-29
formats III-24
audio sweetening
See also audio mixing
Final Cut Pro features III-15
final mixes III-19–III-22
overview III-17–III-19
Audio tab I-75, II-295
audiotape III-60
audio tracks
adding I-114
adding in postproduction III-17
adding to sequences II-124–II-125, II-146
ambience IV-146
analyzing IV-111, IV-113
applying filters to multiple tracks III-292
assigning to output channels IV-155
audio CD tracks I-315
audio mapping IV-130, IV-204, IV-325
in Audio Mixer III-68
Auto Select controls II-191–II-193
blank IV-253
capturing I-233
categories III-181
cleaning up III-18, III-175–III-181
compressing IV-253
control surfaces and III-102
deleting from sequences II-126
described II-123, IV-412
destination tracks II-127–II-131
dialogue IV-146
disabled IV-159
disabling II-133
disabling in clips III-381–III-383
disconnecting Source and Destination
controls II-129
displaying controls I-126
displaying or hiding III-78
display options II-134, II-296
display size I-128
dragging clips into II-131
DVD tracks IV-218
editing to tape operations IV-192
EDLs and IV-140
empty IV-253, IV-258
exporting AIFF files IV-147–IV-156
exporting downmixes IV-154
exporting individual files IV-151
exporting OMF files IV-158–IV-160
finding items in II-189
gaps in II-209, II-209–II-211
height II-305
inserting sync beeps in IV-148–IV-150
invisible IV-291
invisible tracks II-133–II-134
labels I-124, III-60
layouts II-137
level meters III-72
levels III-18
linking mono tracks II-235
locked tracks II-130, II-132–II-133, II-347
locking I-113, IV-257
looping playback III-94–III-95
moving audio clips between II-307–II-308
multichannel audio files I-291
in multiclips II-248
music IV-146
muting III-70, III-80–III-81
names II-307, III-69, III-70
number of I-124, IV-140
offsets II-147
organizing III-77, III-181, IV-146
output channels III-61
pasting clips onto II-202–II-205
playing in Trim Edit window II-373–II-374
QuickTime movie files I-313
in QuickTime movies IV-229, IV-242
real-time mixing III-529, IV-283, IV-403
render status III-537
resizing in Timeline II-135–II-136
ripple edits II-336
roll edits II-342