Apple Final Cut Pro 5 User Manual
Page 1838
Index
487
navigation
in Browser I-57
in Canvas I-97–I-103
controls for IV-190–IV-191
in Edit to Tape window IV-190–IV-193
Log and Capture window controls I-231
with markers I-251
shortcuts I-57
with timecode values I-132
in Timeline I-112–I-117, I-131–I-138
in Viewer I-97–I-103
nearfield monitors III-27
nested sequences
anamorphic video in IV-400
audio export and IV-159
audio items II-419
avoiding II-423–II-426
creating II-419–II-421
described II-80, II-89, II-413, IV-427
duration changes II-422
EDLs and IV-135, IV-141
opening II-354
preserving render files III-562
pros and cons II-418
Nest Items dialog II-420–II-421
networks
media management and IV-18
searching for plug-ins and Easy Setups IV-313
sharing project files IV-61
neutral grays III-454, III-462
New Bin button I-245
New Merged Clip dialog II-48
New Offline Clip command I-228
New Project command I-33
Next Frame button II-366
NLE. See nonlinear editing
noise, background III-179
noise floor III-42, IV-427
noise gates III-155
Noise generator III-492
noise reduction filters III-156–III-157
nominal levels of sound III-42
Non-Additive Dissolve transition II-393, IV-142
noncontiguous clips II-183
non-controllable devices I-277, I-296, IV-331
nondestructive editing I-21
nondestructive filters III-152
non-drop frame timecode I-26, I-104, I-244, II-440,
IV-121, IV-383–IV-389, IV-427
non-DV format devices I-195, I-199
None option for external video I-214
non-interlaced video IV-337, IV-427
See also progressive video scanning
nonlinear editing I-21, I-226, IV-427
clip names IV-134
generic edits IV-129
non-optimized media I-312
non-SMPTE transitions IV-135
non-square pixel images I-82
non-square pixels III-340–III-343
non-timecoded footage I-276
Normal compositing mode III-361, III-363
“No shortcut” message IV-273
Not IV-254
notes in logging process I-250
notes markers II-55, II-57
“Not Threaded” message I-177
NTSC codec IV-231, IV-233
NTSC format II-441, IV-352
color bar standards I-322
contrast levels I-334
described I-24, IV-428
fps IV-378
frame rates IV-382, IV-384
OfflineRT format and IV-55
recompressing IV-82
timecode IV-384
timecode and I-228, IV-383
NTSC formats
frame and pixel aspect ratios III-341
NTSC legal colors IV-428
NTSC monitors IV-402
numbered image sequences I-306, I-318–I-320
O
offline/online editing
audio in IV-52
copying sequences for IV-100
creating low-resolution copies IV-101
described IV-428
final refinements IV-60
linear tape editing process IV-119
Media Manager settings IV-83
non–Final Cut Pro systems IV-60
Offline RT format IV-55–IV-60
output IV-60
overview IV-51–IV-53
reconnecting media files IV-68
transferring projects IV-61
workflow IV-54
offline/online editing workflow I-23
offline angles II-268
Offline Clip icon IV-33
offline clips II-79, II-288, IV-428
audio clips I-315
breaking links to IV-65–IV-67
capturing I-265
described I-36, IV-64, IV-428
finding IV-72
illustrated IV-65