Apple Final Cut Pro 5 - Manual (Page 1845)

494 Index
chapter tracks IV-221
described IV-228
QuickTime Pro I-317–I-318, IV-228
QuickTime settings IV-249–IV-255
audio IV-253–IV-254, IV-320–IV-321
capture presets IV-315–IV-321
video IV-249–IV-252, IV-317–IV-318
QuickTime Streaming Server software IV-255
QuickTime transitions II-393–II-394
QuickTime video sequence presets IV-338
QuickView tab III-303–III-305, IV-430
controls III-303–III-305
playback in III-304–III-305
uses for III-303
R
Radial Blur filter III-203
Radial transition II-394
RAIDs (Redundant Array of Independent
Disks) I-187, IV-430
RAM (random access memory)
playback and III-304–III-305
real-time playback and III-515
still cache and III-516
voiceover requirements III-139
RAM settings IV-296, IV-430
Random Edge Wipe transition II-396, IV-143
range-checking options III-417, III-422–III-423, IV-431
Range Selection tool II-179, II-184, III-189
rarification, sound waves and III-37
Rate option IV-254, IV-257, IV-321
Rate option for timecode II-448
Ratio slider III-155, III-156
raw data IV-431
raw previewing mode I-218
Razor Blade All tool II-215
razor blade edits IV-431
Razor Blade tool II-214
RCA connectors I-201, III-31, IV-370
readability of fonts III-496
real-time audio
filter adjustments III-166
mixing III-60, III-529–III-530
real-time audio mixing III-529, IV-283, IV-403
Real-time Audio Mixing field III-529
real-time editing II-278, II-281–II-283
real-time effects I-186, IV-431
codecs III-517
display quality III-517
dynamic real-time playback III-511
external video monitoring III-515
in Final Cut Pro III-516
identifying transitions and filters for III-520
maximizing real-time playback III-515
options in Final Cut Pro III-519
overview III-509–III-518
playback settings III-523–III-527
Play Base Layer Only feature III-514
processing requirements III-510
record settings III-528
render bars III-519
RT pop-up menu III-523–III-524
Safe RT mode III-512
settings III-521–III-528
unlimited real-time playback III-513
Unlimited RT mode III-524
video output III-528
Real Time Effects (RT) pop-up menu III-523–III-524
Real-Time Effects (RT) pop-up menu I-120
real-time level automation III-75
real-time playback I-312
real-time playback quality II-283
Rec-601 color standard III-552
Rec 709 (high definition color space media) IV-27
Rec-709 color standard III-552
Recapture option for EDL import IV-133
recapturing clips
with Media Manager I-283
overwriting files I-265
process I-278
recapturing items
clips IV-431
clips from imported EDLs IV-135
recapturing process
effective media management and IV-15
full-resolution IV-55, IV-57
media management and IV-16
multiclips II-288
online editing and IV-79
timecode modifications and II-446
Recent Clips pop-up menu I-74, I-86, IV-283
Recompress All Frames option IV-241, IV-243, IV-274
recompressing media files
avoiding IV-241
choosing codec and format IV-242
in Media Manager IV-82
Media Manager options IV-78
Media Manager process IV-101
OfflineRT format and IV-56
QuickTime conversion and IV-237
Reconnect Files dialog IV-71
reconnecting clips II-288
reconnecting media IV-68–IV-74
effective media management and IV-15
search paths IV-295
Reconnect Media command IV-68–IV-74
Reconnect option for EDL import IV-133
Reconnect window IV-72
Record Audio Keyframes button III-68, III-71, III-92
Record Audio Keyframes checkbox IV-291
Record Audio Keyframes option III-75