Apple Final Cut Pro 5 - Manual (Page 795)

8 Contents
311 Constant Speed
311 Variable Speed (or Time Remapping)
312 Differences Between Constant and Variable Speed Changes
312 Frame Blending and Reverse Speed
314 Making Constant Speed Changes
315 Making Variable Speed Changes
315 How Time Remapping Works
318 Where You Can Make Time Remapping Adjustments
318 Viewing Time Remapping Parameters Applied to Your Clips
320 Learning to Read Timeline Speed Indicators
323 Using the Time Remap Tool
328 Adjusting Time Remap Keyframes in the Motion Bar
329 Time Remapping Using the Time Graph
332 Time Remapping in the Motion Tab
Chapter 17 335 Working With Still Images and Photographs
335 Using Still Images and Graphics in Your Sequences
336 Creating Freeze Frame Stills From a Video Clip
337 Considerations Before Creating and Importing Stills
347 Changing the Duration of Still Images
348 Example: Adding Camera Motion to Still Images
Chapter 18 355 Compositing and Layering
355 Compositing Strategies and Modes
356 What Can You Do With Compositing?
357 Different Ways to Layer Clips in the Timeline
358 Adjusting Opacity Levels of Clips
361 Working With Composite Modes
367 Using Travel Mattes to Hide or Reveal Parts of a Clip
368 Working With Layered Photoshop Files
369 What Happens When You Import a Multilayered Photoshop File
371 Using Video and Graphics Clips With Alpha Channels
371 Types of Alpha Channels Recognized in Final Cut Pro
373 Working With Clips That Have Alpha Channels
374 Importing Clips With Alpha Channels
374 Changing a Clip’s Alpha Channel Type
377 Options for Displaying Alpha Channel Information
379 Viewing RGB and Alpha Channels in the Viewer
380 Choosing a Background
381 Temporarily Excluding Clips From Playback or Output
382 Temporarily Disabling a Single Clip
383 Soloing Clips in Multitrack Sequences