Adobe Premiere Pro CS6 - Manual (Page 249)

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In Points
Out Points
Timecode
Clip markers
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Create a multi-camera source sequence
After the clips are marked, select them in the Project panel and use the Create Multi-Camera Source Sequence menu command to create a new
multi-camera source sequence. A dialog box allows you to synchronize clips and creates the multi-camera source sequence. To create a multi-
camera source sequence, do the following:
1. Choose Clip > Create Multi-Camera Source Sequence.
2. Choose the appropriate synchronization method:
Synchronizes clips at their In points.
Synchronizes clips at their Out points.
Synchronizes clips to the specified timecode.
Synchronizes clips to the specified clip marker.
3. Click OK.
A new multi-camera source sequence is created in the same bin as your source footage. The icon for a multi-camera source sequence is
different from a regular sequence icon. After the sequence is created, it is important to enable audio in the multi-camera source sequence.
See
Enabling audio in the multi-camera source sequence .
After you create a multi-camera source sequence, you can continue to add more camera angles to it.
Enabling audio in the multi-camera source sequence
By default, Premiere Pro only enables audio channel one in the multi-camera source sequence. For multi-camera editing workflow, enable each
audio track manually before editing the target sequence. To enable audio tracks for the multi-camera source sequence, do the following:
1. Open the multi-camera source sequence by selecting the multi-camera source sequence icon in the Project panel, right-click (Win) or Ctrl-
click (Mac OS) the icon, and then choose Open In Timeline.
2. The Timeline opens. Select the audio tracks, and then enable the other audio tracks by clicking the Toggle Track Output button for each
audio track.
3. Now that all audio tracks are enabled, you can close the sequence.
Mapping mono track audio in a multi-camera source sequence
If you are recording with a camera that records audio on to separate mono tracks (such as a Panasonic camera that shoots P2 media), you can
route these tracks to an adaptive track that can handle multiple audio tracks. Doing so makes it much simpler to handle audio in multi-camera
editing. To route mono track audio in a multi-camera source sequence, do the following.
1. In the Project panel, select clips for the multi-camera source sequence.
2. Choose Clip > Modify > Audio Channels
3. The Audio Channels dialog box launches, allowing you to see the location of the tracks. Audio channel one is the default for the clip. If the
primary audio was recorded on another channel, you can map it to audio channel one. See Change the source audio channel mapping for
one or more clips .
4. Choose Channel Format > Adaptive
5. Click OK
6. Open the multi-camera source sequence by selecting the multi-camera source sequence icon in the Project panel, right-click (Win) or Ctrl-
click (Mac OS) the icon, and then choose Open In Timeline.
7. In the Timeline, select the audio tracks, and then enable the other audio tracks by clicking the Toggle Track Output button for each audio
track.
8. Now that all audio tracks are enabled, you can close the sequence and move forward with the multi-camera edit.
Create a multi-camera target sequence
1. Choose the multi-camera source sequence icon in the Project panel and open the multi-camera source sequence. Right-click (Windows) or
Ctrl-click (Mac OS) the icon and select New Sequence From Clip from the context menu, or choose File > New > New Sequence From Clip.
2. The multi-camera source sequence is now located in the target sequence. For the Audio Follows Video workflow, the audio track needs to
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