Start a mobile device sequence, Using multiple sequences, Nest sequences – Adobe Premiere Pro CS6 User Manual
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1. Right-click (Windows) or Control-click (Mac OS) a 24p clip in the Project panel.
2. Select Modify > Interpret Footage.
3. Under Frame Rate, select Remove 24p DV Pulldown.
4. Click OK.
Additionally, you can apply any of a number of third-party film-look plug-in effects to the master sequence. These plug-ins can often perform
telecine-style conversion, or add grain or color correction to simulate various film stocks. Pay close attention to lighting and, during shooting,
use tripods and do slow pans to create the appearance of using a heavy film camera. Attention to these details gives your project more of a film
look.
Display 24p source timecode
When you import 24p footage, Premiere Pro treats it as 23.976 fps progressive footage. Because of this, when you work with 24p footage in a 24p
project, the timecode is displayed as 24 fps. However, the camera records and logs 24p footage in 30 fps non-drop-frame timecode. When you log
24p footage for capture, you log clips according to the camera’s timecode count of 30 fps non-drop-frame timecode.
For example, a clip that you log for capture may have an In point of 00:01:00:28. However, as an offline clip in a 24p project, the In point is shown
as 00:01:00:23. In addition, mixing non-drop-frame footage with drop-frame footage can cause larger differences in timecode display between the
project and the clip, with minutes, seconds, and entire durations seemingly out of sync. Be aware of these discrepancies as you edit.
If you use 30 fps non-drop-frame timecode for projects containing 24p footage, Premiere Pro drops every fifth frame from the 24p footage
timecode count. When you view the properties of your 24p clip, the frame rate is shown as 23.976, but the timebase as 29.97. If you’d prefer to
read a clip’s original timecode, do the following:
1. Right-click (Windows) or Control-click (Mac OS) the clip in the Project panel.
2. Select Modify > Interpret Footage > Use Frame Rate from File.
Start a mobile device sequence
You can edit video for delivery to mobile phones, portable media players, and other portable devices. Selecting a project preset that matches the
requirements of the target device is the easiest way to get started. When you are done editing your movie, use Adobe Media Encoder to encode it
with the audio and video characteristics correct for the target devices.
1. Do one of the following:
From the Welcome screen, click New Project.
Select File > New > Project.
2. In the New Project dialog box, click OK.
3. In the New Sequence dialog box, select the Sequence Presets tab.
4. Select the Mobile & Devices presets folder. Do one of the following:
To edit a movie aimed exclusively at devices supporting 3GPP video at frame sizes of 176x144 or 88x72, select the CIF, QCIF, QQCIF
preset.
To edit a movie for distribution on the web or on mobile devices that can display 4:3 video at frame sizes of 320x240 or 128x96, select
the iPod, QVGA, Sub-QCIF preset.
5. Enter a name in the Sequence Name field and click OK.
Using multiple sequences
A single project can contain multiple sequences. Different sequences within the same project can have different settings. You select settings for
each sequence when you create it, but you can change some of these settings after a sequence is created.
To switch sequences, in the Program Monitor or in the Timeline panel, click the tab of the sequence you want to use. The sequence becomes
the front most tab in both panels.
To view a sequence in a separate Timeline panel, drag the Sequence tab away from the panel to an empty area. Ctrl-drag (Windows), or
Command-drag (Mac OS) to prevent the panel from docking.
To open a sequence in the Source Monitor, press Ctrl/Command and double-click the sequence in the Project panel. In the Timeline panel,
press Ctrl/Command and double-click a nested sequence.
Nest sequences
You can nest sequences within sequences—to any depth—to create complex groupings and hierarchies. You can nest a sequence into another
having a different timebase, frame size, and pixel aspect ratio settings. A nested sequence appears as a single, linked video/audio clip, even
though its source sequence can contain numerous video and audio tracks.
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