Adobe Premiere Pro CS3 User Manual
Adobe, Premiere, Pro cs
Table of contents
Document Outline
- Contents
- Chapter 1: Getting started
- Chapter 2: Workspace
- Chapter 3: Projects
- Chapter 4: Setting up, and bringing in assets
- Setting up your system
- Bringing assets into a project
- Capturing and digitizing
- System requirements for capturing
- Capturing DV or HDV video
- Capturing HD video
- Capture analog video
- Capturing content for DVD
- Prepare for digital video capture
- Set capture format and preferences
- File size limits
- Set up device control
- Capture without device control
- Capture with device control
- Determine if your device is online
- Use automatic scene detection
- Common capture issues
- Batch capturing
- Timecode
- Online and offline editing
- Importing files
- Import files
- Start Adobe Bridge from Adobe Premiere Pro
- File formats supported for import
- Importing digital audio
- Import still images
- Importing image sequences
- Import numbered still-image files as one clip
- Importing earlier Adobe Premiere Pro projects
- Importing libraries (Windows only)
- Importing After Effects compositions
- About Panasonic P2 media
- About Sony XDCAM and XDCAM EX media
- Importing assets from file-based sources
- About spanned clips
- Chapter 5: Managing and viewing assets
- Customizing the Project panel
- Organizing assets with the Project panel
- Working with assets
- About clip properties
- View the properties of a clip
- Duplicate a clip
- Rename assets
- Remove assets from a project
- Play back a clip in the Project panel
- Change the frame rate of a file [F23124 Create single "Modify Clip" dialog (combining Offline File, Timecode, Interpret Footage, Field Options and Audio Channel Mapping]
- Work with proxy files
- About proxy files [F8488 Proxy Editing]
- Create proxy files from the Project panel [F8488 Proxy Editing]
- Create proxy files from the Timeline [F8488 Proxy Editing]
- Delete a proxy file [F8488 Proxy Editing]
- Make original media offline, or delete it [F8488 Proxy Editing]
- Relink proxies to original media [F8488 Proxy Editing]
- Enable or disable a proxy for playback [F8488 Proxy Editing]
- Source and Program Monitors
- Playing assets
- Reference Monitor
- Chapter 6: Editing a sequence
- Editing basics
- Editing workflow
- Source clips, clip instances, and subclips
- Create subclips from the Timeline panel [21586 Ability to create subclips from the Timeline (support drag and drop from the Timeline to the Project window)]
- Timeline panel overview [F30903 Metadata 'Track' in Timeline]
- Navigate in the Timeline panel
- Work with tracks
- Set track display
- Trimming clips
- Assembling a sequence
- Adding clips to a sequence
- Targeting tracks
- Drag a clip to a sequence
- Add clips to a sequence automatically
- Mixing clip types in a sequence
- Add a track while adding a clip
- Replace one clip with another
- Make three-point and four-point edits
- Specify source tracks to add to a sequence
- Set or remove sequence In and Out points
- Set sequence start time
- Correcting mistakes
- Changing clip scale, duration, speed, or interlacing
- View clip properties in a tool tip
- Scale assets
- Interlaced video, noninterlaced video, and progressive scanning
- Create interlaced or non-interlaced clips
- View the total duration of selected clips
- Change clip duration
- Change clip speed
- Blend frames for smooth motion
- About the Time Remapping effect
- Vary change to clip speed
- Move a split or unsplit keyframe
- Play a clip backward, then forward
- Freeze a frame
- Remove the Time Remapping effect
- Working with clips in a sequence
- Rearranging clips in a sequence
- Previewing sequences
- Editing basics
- Chapter 7: Editing: Beyond the basics
- Using markers
- Editing audio in the Timeline panel
- Creating special clips
- Multiple sequences
- Subclips
- Editing a multi-camera sequence
- About multi-camera editing
- About the Multi-Camera Monitor
- Display the Multi-Camera Monitor
- Add clips for multi-camera editing
- Synchronize clips
- Create a multi-camera target sequence
- Record multi-camera edits
- Play clips in the Multi-Camera Monitor
- Rerecord multi-camera edits
- Adjust multi-camera edits in the Timeline panel
- Insert or overlay clips in a multi-camera sequence
- Working in other applications
- Adobe Dynamic Link
- About Dynamic Link (Production Premium only)
- Saving and Dynamic Link (Production Premium only)
- Managing performance and Dynamic Link (Production Premium only)
- Color and Dynamic Link (Production Premium only)
- Link to a new composition with Dynamic Link (Production Premium only)
- Link to an existing composition with Dynamic Link (Production Premium only)
- Delete a dynamically linked composition or clip (Production Premium only)
- Edit a dynamically linked composition in After Effects (Production Premium only)
- Offline compositions and Dynamic Link (Production Premium only)
- Chapter 8: Transitions
- Chapter 9: Audio
- Working with audio
- Working with clips, channels, and tracks
- Recording audio
- Adjusting volume levels
- Audio transitions
- Applying effects to audio
- Applying audio effects to clips
- Applying audio effects in the Audio Mixer
- Apply a track effect in the Audio Mixer
- Designate a track effect as pre-fader or post-fader
- Edit track effects in the Timeline panel
- Remove or bypass a track effect in the Audio Mixer
- Working with VST effects
- Adjust a VST effect in a VST Editor panel
- Select a preset for a VST effect
- Recording audio mixes
- Panning and balancing
- Advanced mixing
- Editing audio in Adobe Soundbooth
- Chapter 10: Titles
- Chapter 11: Applying Effects
- Working with effects
- Applying, removing, and organizing effects
- Adjusting effects
- Customizing effect presets
- Motion
- Color correction
- Adjusting color and luminance
- Set up a Color Correction workspace
- Apply the Color Correction effects
- Quickly remove a color cast
- Make quick luminance corrections
- Color balance, angle, and saturation controls
- Adjust color balance and saturation
- Adjust color and luminance using curves
- Adjust luminance using levels
- Select a color with the Adobe Color Picker
- Define the tonal ranges in a clip
- Specify a color or range of colors to adjust
- Special color and luminance adjustments
- Vectorscope and waveform monitors
- Chapter 12: Animation
- Chapter 13: Effect reference
- About the effect reference
- Gallery of effects
- Adjust effects
- Blur and Sharpen effects
- Channel effects
- Color Correction effects
- Brightness & Contrast effect
- Broadcast Colors effect
- Change Color effect
- Change To Color effect
- Channel Mixer effect
- Color Balance effect
- Color Balance (HLS) effect
- Equalize effect
- Fast Color Corrector effect
- Leave Color effect
- Luma Corrector effect
- Luma Curve effect
- RGB Color Corrector effect
- RGB Curves effect
- Three-Way Color Corrector effect
- Tint effect
- Video Limiter effect
- Distort effects
- GPU effects (Windows only)
- Generate effects
- Image Control effects
- Keying effects
- Noise & Grain effects
- Perspective effects
- Stylize effects
- Time effects
- Transform effects
- Transition effects
- Utility effects
- Video effects
- Audio effects
- About audio effects in Adobe Premiere Pro
- Balance effect
- Bandpass effect
- Bass effect
- Channel Volume effect
- Chorus effect
- DeClicker
- DeCrackler
- DeEsser effect
- DeHummer effect
- Delay effect
- DeNoiser effect
- Dynamics effect
- EQ effect
- Fill Left, Fill Right effects
- Flanger effect
- Highpass and Lowpass effects
- Invert (audio) effect
- MultibandCompressor effect
- Multitap Delay effect
- Notch effect
- Parametric EQ effect
- Phaser
- PitchShifter effect
- Reverb effect
- Spectral Noise Reduction effect
- Swap Channels effect
- Treble effect
- Volume effect
- Chapter 14: Compositing
- Chapter 15: Exporting
- Choosing export formats
- Exporting basics
- File formats supported for export
- About high-definition (HD) video
- Options for exporting HD and HDV sequences
- About MPEG
- Add XMP metadata to an exported file
- Understanding video compression, file size, and data rate
- Compression tips
- About compression of movie files
- About compression keyframes
- About data rate
- Choosing formats for use in other applications
- Exporting editable movie and audio files
- Exporting still images and still-image sequences
- Exporting PDFs for comments
- Exporting to DVD, Blu-ray disc, or CD
- About exporting to DVD, Blu-ray disc, or CD
- Types of DVDs and Blu-ray discs
- Choosing file formats for various discs
- Create an auto-play DVD or Blu-ray disc
- Create a DVD or Blu-ray disc with menus
- Exporting files for CD-ROM playback
- Exporting files for Video CD playback (Windows only)
- Export files for DVD, Blu-ray, videoCD (Windows only), super videoCD or CD-ROM
- Exporting projects for online editing or archiving
- Exporting to videotape or film
- Exporting for the web
- About exporting for the web
- Types of web delivery
- Export a file for web delivery
- Moving content between Adobe Premiere Pro and Adobe Flash
- Tips for creating Adobe Flash Video
- Alternates and Audiences options for encoding
- QuickTime Alternates options
- RealMedia Audiences options
- Windows Media Audiences options
- Exporting to iPods, cell phones, PSPs and other mobile devices
- Adobe Media Encoder basics
- Export settings
- Settings for editable movie, still, or audio files
- General export settings
- Video export settings
- Keyframe And Rendering export settings
- Audio export settings
- Adobe Media Encoder format options
- Filter options for encoding
- Video options for encoding
- Audio options for encoding
- Adobe Media Encoder MPEG multiplexer preset options
- Others options for encoding
- Choosing export formats
- Chapter 16: Keyboard shortcuts
- Index