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Special color and luminance adjustments, Match the color between two scenes – Adobe Premiere Pro CS3 User Manual

Page 278

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ADOBE PREMIERE PRO CS3

User Guide

272

Choosing Mask from Output menu to display selected areas (white) and protected areas (black).

7

Use the following controls to specify how a color correction is applied to a color or range of colors:

Soften

Applies a Gaussian blur to the selected area generated by the Secondary Color Correction controls. The

range is from 0 to 100, and the default setting is 50. This control is useful for softening the application of the color
correction to selected areas so that it blends with the rest of the image.

Edge Thinning

Thins or spreads the edge of the selected area generated by the Secondary Color Correction controls.

The range is from –100 (thin, sharply defined edges) to +100 (spread, diffused edges). The default value is 0.

8

Select the Invert Limit Color option to adjust all colors except the range that you specified using the Secondary

Color Correction controls.

See also

Luma Corrector effect

” on page 313

Luma Curve effect

” on page 314

RGB Color Corrector effect

” on page 315

RGB Curves effect

” on page 317

Three-Way Color Corrector effect

” on page 318

Special color and luminance adjustments

Match the color between two scenes

The Color Match effect (Windows only) can transfer color information from one image or clip to another. For
example, use Color Match if you want to use the color-corrected color information in one clip as the basis for
correcting the color of another clip. Or, if you have an image containing an area that you consider ideal and you
would like to transfer color information from it to another image. This effect works best when you work between
two images with slightly different exposures, such as those shot in identical locations, but on different days, or in
slightly different lighting conditions.

April 1, 2008