Adobe Premiere Pro CS3 - Manual (Page 366)

ADOBE PREMIERE PRO CS3
User Guide
360
Delay Sets the point in milliseconds at which flanging starts behind the original signal. The flanging effect occurs
by cycling over time from an initial delay setting to a second (or final) delay setting.
Highpass and Lowpass effects
The Highpass effect removes frequencies below the specified Cutoff frequency. The Lowpass effect eliminates
frequencies above the specified Cutoff frequency. The Highpass and Lowpass effects are available for 5.1, stereo, or
mono clips.
Invert (audio) effect
The Invert (audio) effect inverts the phase of all channels. This effect is available for 5.1, stereo, or mono clips.
MultibandCompressor effect
The MultibandCompressor effect is a three-band compressor with controls for each band. Use this effect instead of
the compressor in Dynamics when you need a softer sounding compressor.
Use the graphical controls in the Custom Setup view, or adjust values in the Individual Parameters view. The
Custom Setup view displays the three bands (low, mid, high) in the Frequency window. You control the gain for
each band by adjusting handles for makeup gain and frequency range. The handles of the center band determine
the crossover frequency of the bands. Drag the handles to adjust the corresponding frequency. This effect is available
for 5.1, stereo, or mono clips.
Solo Plays the active band only.
MakeUp Adjusts the levels, in decibels.
BandSelect Selects a band. In the graphical control, click a band to select it.
Crossover Frequency Increases the range of frequencies for the selected band.
Output Specifies the output gain adjustment to compensate for the reduction or increase in gain caused by
compression. This helps to preserve the mix of the individual gain settings.
Use the following controls for each band:
Threshold 1-3 Specifies the level (between –60 and 0 dB) the incoming signal must exceed to invoke compression.
Ratio 1-3 Specifies the rate of compression, up to 8:1.
Attack 1-3 Specifies the time (between 0.1 and 100 milliseconds) the compressor takes to respond to a signal that
exceeds the threshold.
Release 1-3 Specifies the time required for the gain to return to the original level when the signal falls below the
threshold.
MakeUp 1-3 Adjusts the compressor’s output level (between –6 and +12 dB) to compensate for a loss in gain caused
by compression.
Multitap Delay effect
The Multitap Delay effect adds up to four echoes of the original audio in the clip. This effect is available for 5.1,
stereo, or mono clips.
Delay 1-4 Specifies the amount of time between the original audio and its echo. The maximum is 2 seconds.
April 1, 2008