Color emboss effect, Emboss effect – Adobe Premiere Pro CS3 User Manual
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ADOBE PREMIERE PRO CS3
User Guide
344
Original image (left), with effect applied (center), and with Brush Size and Length adjusted (right)
Stroke Angle
The direction in which the strokes are made. The image is effectively shifted in this direction, which
may cause some clipping at the clip boundaries.
Brush Size
The size of the brush, in pixels.
Stroke Length
The maximum length of each stroke, in pixels.
Stroke Density
Higher densities result in overlapping brush strokes.
Stroke Randomness
Creates non-uniform strokes. The more randomness, the more the strokes vary from the brush
and stroke settings you specify.
Paint Surface
Specifies where brush strokes are applied:
•
Paint On Original Image
Puts the strokes on top of the unmodified clip. This setting is the default.
•
Paint On Transparent
Causes only the strokes themselves to appear, leaving the clip transparent between the
strokes.
•
Paint On White/Paint On Black
Applies strokes over a white or black background.
Blend With Original
The effect’s transparency. The result of the effect is blended with the original image, with the
effect result composited on top. The higher you set this value, the less the effect affects the clip. For example, if you
set this value to 100%, the effect has no visible result on the clip; if you set this value to 0%, the original image doesn’t
show through.
Color Emboss effect
The Color Emboss effect works like the Emboss effect, without suppressing the image’s original colors.
Emboss effect
The Emboss effect sharpens the edges of objects in the image and suppresses colors. The effect also highlights the
edges from a specified angle.
Direction
The direction from which the highlight source shines.
Relief
The apparent height of the embossing, in pixels. The Relief setting actually controls the maximum width of
highlighted edges.
Contrast
Determines the sharpness of the image.
Blend With Original
The effect’s transparency. The result of the effect is blended with the original image, with the
effect result composited on top. The higher you set this value, the less the effect affects the clip. For example, if you
set this value to 100%, the effect has no visible result on the clip; if you set this value to 0%, the original image doesn’t
show through.
April 1, 2008