KORG Electronic Keyboard - Manual (Page 857)

Delay 098: Tape BPM Echo
847
Source [Off…Tempo]
Selects the modulation source for the panning width.
Amount [+/–100]
Set the modulation amount of the panning width.
OUTPUT
This is the standard effects output section, with
modulatable control over wet/dry balance. For more
information, see “OUTPUT” on page 764.
098: Tape BPM Echo
This models a tape echo unit with three playback
heads–but with the ability to sync to tempo. The
distortion and tonal changes typical of magnetic tape
are also reproduced.
INPUT
Trim [0…100]
Sets the input gain.
Pre Tone [0…100]
This models the reduced high frequencies of an analog
tape delay, before the saturation stage. Lower settings
create a darker tone.
WOW FLUTTER
This section models the instability of the tape
machine’s motors. As the speed of the motor
fluctuates, the pitch changes slightly.
Frequency [Hz] [0.02…1.00]
Sets the frequency at which pitch variation occurs.
Depth [0…100]
Sets the depth of the pitch change.
TAPE ECHO
Delay Time
BPM [MIDI, 40.00…240.00]
MIDI syncs to the system tempo; 40-240 sets the tempo
manually for this individual effect. p.822.
Time Over? > [---, OVER!]
The maximum delay time is 2,700msec. If the
combination of BPM, Base Note, and Times exceeds
this limit, the error message “OVER!” will appear. If
this occurs, change the delay time parameters so that
this message no longer appears.
Delay(Tap1) Note [ … ]
This sets the basic delay time of Tap 1, relative to the
system tempo. The values range from a 32nd note to a
whole note, including triplets.
Also, Taps 2 and 3 are specified as a percentage (%) of
this delay time. Taps 2 and 3 always stay in proportion
to Tap 1, even when the delay time is modulated.
Times [x1…x32]
This multiplies the length of the Base Note. For
instance, if the Base Note is set to a sixteenth note, and
Times is set to 3, the delay time will be a dotted eighth
note.
Source [Off…Tempo]
Selects the modulation source for the delay Note and
Times.
Dmod Max Note [ … ]
Instead of specifying a modulation intensity, you can
specify a note (and multiplier) to map to the maximum
modulation value. Note that these can each be either
longer or shorter than the original Note and Times.
Times [x1…x32]
This sets the multiplier for the Dmod Max Note.
Tap2 Position [%] [0…100]
Sets the delay time of Tap 2, as a percentage of Tap 1’s
delay time.
Tap3 Position [%] [0…100]
Sets the delay time of Tap 3, as a percentage of Tap 1’s
delay time.
Level and Pan 1…3
Each tap has its own controls for level and pan.
Tap1…3 Level [0…100]
Sets the tap’s output level.
Pan [L, 1…99, R]
Sets the tap’s stereo position.
Feedback
Tap1…3 Feedback Amount [+/–100]
Sets the individual tap’s feedback level. Negative
values invert the phase. These individual levels are
summed together, and then the final level is controlled
by Feedback Level, below.
Feedback Level [0…100]
Sets the overall level of feedback.
Wah Flatter
D -mod
Tap2/3 Position
+ Tape
Saturation
Left
Right
Wet / Dry
Trim
Pan Level
Wet / Dry
Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo Out
Feedback
Feedback Amt
High / Low Damp Pre Tone
Delay
(1)
(2)
(3)
Delay Time
BPM
BPM
Base Note x Times Tempo