KORG Electronic Keyboard - Manual (Page 381)

Combination P3: MIDI Filter/Zones 3–5: Keyboard Zones
371
Timbres 02…16
These are the MIDI Filter3 settings for timbres 2
through 16. They are the same as for timbre 1. See
“Timbre 01”.
▼ 3–3: Page Menu Commands
The number before each command shows its ENTER +
number-key shortcut. For more information on these
shortcuts, see “ENTER + 0-9: shortcuts for menu
commands” on page 138.
• 0: Write Combination. For more information, see
“Write Combination” on page 405.
• 1: Exclusive Solo. For more information, see
“Exclusive Solo” on page 138.
• 2: Copy From Program. For more information, see
“Copy From Program” on page 405.
3–5: Keyboard Zones
These settings specify the keyboard range in which
each timbre will sound.
The top/bottom key parameters specify the range of
notes in which timbres 1–16 will sound, and the
top/bottom slope parameters specify the range over
which the original volume will be reached.
Key Split: By setting timbres of different sounds to
ranges that do not overlap, you can play different
sounds in different ranges of the keyboard.
Layer: By setting the ranges to overlap, you can play
two or more sounds with a single note.
Positional Cross-fade: If you set the slopes (the grayed
portion) to overlap, the sounds will overlap, and the
proportion of the overlap will change according to the
keyboard location.
3–5a: Zone Map
This area indicates the note and velocity ranges in
which each timbre will sound.
The LCD screen will display a line to indicate the range
of notes and velocities that will sound, and will show
the slope portion.
3–5b: Keyboard Zones
Timbre 01
Top Key [C–1…G9]
Specifies the top key (upper limit) of the notes that will
sound each timbre.
Top Slope [00, 01, 02, 03, 04, 06, 08, 10,
12, 18, 24, 30, 36, 48, 60, 72]
Specifies the range of keys (12 is one octave) over
which the volume will be reached starting from the top
key.
0: The volume will be at the original level from the top
key.
12: The volume will increase gradually as you play
downward, and will reach the original volume one
octave below the top key.
1–1a
1–1b
3–5a
3–5b
3–5PMC