KORG TRITON STUDIO music workstation - Manual (Page 94)

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• If “Oscillator Mode” is Single or Double, MIDI RPN
Coarse Tune messages can be received to control and
change the “Transpose” setting, and Fine Tune
messages to control and change the “Detune” setting.
• If “Oscillator Mode” is Drums, MIDI RPN Coarse
Tune and Fine Tune messages can be received to
control and change the “Detune” setting. The range of
control will be
±1 octave when Coarse Tune and Fine
Tune are added. These messages will be received on
the MIDI channel that is specified for each track by
“MIDI Channel” (3.1–1a).
Bend Range [PRG, –24...+24]
Specifies the range of pitch change that will occur when the
pitch bender is operated.
PRG: The pitch range specified by the program will be used.
–24–+24: Regardless of the setting of the program, pitch
bending will use the range you specify here.
This setting can be controlled and changed by received
MIDI RPN Pitch Bend Range messages. (These mes-
sages will not be received if the setting is PRG.) (
☞ p.60
COMBI 6.1–6a Tx Filter “GE Bend”)
3.1–5(6)b: UTILITY
☞ “Memory Status”, “Solo Selected Track”, “Rename Song”,
“Delete Song”, “Copy From Song”, “Copy From Combi”,
“Load Template Song”, “Save Template Song”, “FF/REW
Speed”, “Set Location” (1.1–1d)
Detune BPM Adj.
When the program selected for a track uses a phrase or
rhythm loop multisample (
☞ PROG 2.1–2(3)b, GLOBAL 5.1–
1b/2a), you can use this command to change the BPM of the
phrase or rhythm. The BPM can be adjusted by modifying
the pitch. This command is available for a track when the
“Detune” setting of that track is selected. When you execute
this command, the selected “Detune” value will be adjusted.
For the procedure, refer to “Detune BPM Adjust” (COMBI
3.1–3b).
3.2–1: KRM..8
(KARMA T01...08)
3.2–2: KRM..16
(KARMA T09...16)
Specifies how KARMA ON/OFF will control the sound of
each track.
3.2–1(2)a: OSC On/Off Ctrl
OSC On/Off Ctrl [Norml, by Off, by On]
Norml (Normal): The KARMA [ON/OFF] key will not con-
trol the sound of the track. In most cases, you should select
the Norml setting.
by Off (Off by KARMA-Off): When the KARMA [ON/
OFF] key is on, the track will sound as usual.
When the KARMA [ON/OFF] key is off, the track will not
sound.
Use this setting if multiple tracks are set to the same MIDI
channel and you want a specific one of these tracks to be
muted only when the KARMA function is off.
by On (Off by KARMA-On): When the KARMA [ON/
OFF] key is on, the track will not sound.
When the KARMA [ON/OFF] key is off, the track will
sound as usual.
Use this setting if multiple tracks are set to the same MIDI
channel, and you want only a specific track to be muted
when the tracks are being controlled by the KARMA mod-
ule.
For example you can use this to play from the keyboard
using a two-track layer when the KARMA function is off,
and play the phrase on one track when the KARMA func-
tion is on.
If the “Status” (3.1–1a) of each track is INT, you can use the
OSC On/Off Ctrl setting to stop the oscillator of each track
from sounding.
If you set “OSC On/Off Ctrl” to by Off or by On set-
tings and operate the KARMA [ON/OFF] key while
real-time-recording a song, you must be aware of the
following points.
• In order to control this parameter during playback,
operations of the KARMA [ON/OFF] key must be
recorded in real-time.
• Set GLOBAL 6.1: Controller KARMA 2 page “KARMA
Real-time Controls ON/OFF” (6.1–3a) to MIDI CC#14.
If this is assigned to MIDI CC#14, operations of the
KARMA [ON/OFF] key can be recorded in real-time.
• Operations will also be recorded if you assign this key
to MIDI CC#00–95, but in order to avoid confusion
when receiving another CC#, you should use CC#14.
• “KARMA Real-time Controls ON/OFF” (6.1–3a) will
also be set to MIDI CC#14 if you execute the utility
menu command “Reset KARMA Ctrls Assign” with
“To:” set to Default Setting. After executing, turn the
assignment Off for other KARMA Real-time Controls
that you do not need to record.
■ 3.2–1(2)b: UTILITY
☞ “Memory Status,” “Solo Selected Track,” “Rename Song,”
“Delete Song,” “Copy From Song,” “Copy From Combi,”
“Load Template Song,” “Save Template Song,” “FF/FEW
Speed,” “Set Location” (1.1–1d)
SEQ 3.2: Param2
3.2–1a
3.2–1b