KORG TRITON STUDIO music workstation - Manual (Page 61)

COMBI
1.1
2.1
2.2
2.3
3.1
3.2
3.3
3.4
4.1
4.2
4.3
4.4
6.1
6.2
6.3
6.4
7.1
7.2
7.3
51
Bend Range [PRG, –24...+24]
Specifies the amount of pitch change that will occur when
the pitch bender is operated, in semitone units.
PRG: The pitch range specified by the program will be used.
–24–+24: This setting will be used regardless of the setting in
the program.
The MIDI RPN Pitch Bend Change message can be
received to control this and change the setting. (How-
ever it will not be received if this parameter is set to
PRG
.) This message is received on the MIDI channel for
each timbre set by “MIDI Channel” (3.1–1a). ( ☞ p.60
COMBI 6.1–6a: Tx Filter “GE Bend”)
■ 3.1–3b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
For details on how to select the desired utility function, refer
to “PROG 1.1–1c: UTILITY.”
Detune BPM Adj. (Detune BPM Adjust)
If the program of a timbre uses a phrase or rhythm loop
multisample, you can use this Utility to modify its BPM
value. “Detune BPM Adj.” changes the BPM of a phrase or
rhythm by modifying its pitch.
This is valid for a track when timbre “Detune” is selected.
When this Utility is executed, the selected “Detune” value
will be set automatically. (
☞ PROG 2.1–2c, 2.1–3, GLOBAL
5.1–1b, 5.1–2)
1 Select “Detune BPM Adj.” to access the dialog box.
2 In “From” specify the original BPM value. In “To” spec-
ify the desired BPM value. The appropriate “Detune”
value will be calculated automatically from these two
values.
For example if you set “From” to 60bpm and “To” to
120bpm
, the “Detune” parameter will be set to +1200
(one octave up).
3 To execute the Detune BPM Adjust command, press the
[F8] (“OK”) key. To cancel, press the [F7] (“Cancel”) key.
The detune value that is calculated when you execute
this command will be added to “Detune” +0000. You
must set the “From” BPM value to the value when
“Detune” is +0000. For example if you execute “From”
60bpm
“To” 120bpm, and then execute “From”
120bpm “To” 60bpm, will not return to the original
result. (Rather, this will set Detune= –1200, which is one
octave down.)
This command is valid when “Detune” (3.1–3a) is
selected.
3.2–1: KARMA
Use the ON/OFF settings to choose which timbre will
sound.
3.2–1a: OSC On/Off Ctrl
OSC On/Off Ctrl [Norml, by Off, by On]
Norml (Normal): The KARMA [ON/OFF] key will not con-
trol whether a timbre will sound. Normally you will select
Norml
.
by Off (Off by KARMA-Off): The timbre will sound as
usual when the KARMA [ON/OFF] key is on.
The timbre will not sound when the KARMA [ON/OFF]
key is off.
Use this when you want a specific timbre of multiple tim-
bres set to the same MIDI channel to be silent only when
KARMA is off.
by On (Off by KARMA-On): The timbre will not sound
when the KARMA [ON/OFF] key is on.
The timbre will sound as usual when the KARMA [ON/
OFF] key is off.
Use this when you are using a KARMA module to control
multiple timbres that are set to the same MIDI channel, and
want a specific timbre to be silent only when the KARMA
function is on.
For example you can use this to play a two-timbre layer
from the keyboard when KARMA is off, and use one timbre
to sound the phrase when KARMA is on.
If the “Status” (3.1–1a) of each timbre is INT, you can use the
“OSC On/Off Ctrl” setting to stop the oscillator of each tim-
bre from sounding.
■ 3.2–1b: UTILITY
☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)
COMBI 3.2: Ed–Param2
3.2–1a
3.2–1b