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Appendices 291 – KORG TRITON STUDIO music workstation User Manual

Page 301

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Appendices

291

Q

Q

Bowed String Model: Peaking EQ . . . . . . . . . . . 2.3–2: Bowed Str: Bow: Peaking EQ

☞p.283

Brass Model: Peaking EQ . . . . . . . . . . . . . . . . . 2.3–1: Brass: Peaking EQ

☞p.281

Reed Model: Peaking EQ . . . . . . . . . . . . . . . . . 2.3–1: Reed: Peaking EQ

☞p.281

R

Ramp High

Amp Level: Keyboad Track. . . . . . . . . . . . . . . . . 5.1–1/2: Amp1/2: Keyboard Track

☞p.284

Filter Mod.: Keyboad Track . . . . . . . . . . . . . . . . 4.1–2/4: F1/2 Mod: Keyboard Track

☞p.284

OSC Mod.: Pitch Slope . . . . . . . . . . . . . . .3.1–2...4: OSC1...SubOSC: Pitch Slope

☞p.283

Bowed String Model: String . . . . . . . . . . . . . . . . 2.3–1: Bowed Str: String

☞p.282

Ramp Low

Amp Level: Keyboad Track. . . . . . . . . . . . . . . . . 5.1–1/2: Amp1/2: Keyboard Track

☞p.284

Filter Mod.: Keyboad Track . . . . . . . . . . . . . . . . 4.1–2/4: F1/2 Mod: Keyboard Track

☞p.284

OSC Mod.: Pitch Slope . . . . . . . . . . . . . . .3.1–2...4: OSC1...SubOSC: Pitch Slope

☞p.283

Bowed String Model: String . . . . . . . . . . . . . . . . 2.3–1: Bowed Str: String

☞p.282

Random

Prog Basic: Scale . . . . . . . . . . . . . . . . . . . . . . . 2.1–1: Prog Basic: Scale

☞p.276

Realtime Control Knobs B-Assign

Controller Setup. . . . . . . . . . . . . . . . . . . . . . . . . 2.2–1: Controls: Knob B Assign

☞p.277

Release

E.Piano Model: Tone Generator. . . . . . . . . . . . . 2.3–1: E.Piano: Tone Generator

☞p.280

Plucked String Model: String . . . . . . . . . . . . . . . 2.3–1: Plucked Str: String

☞p.282

Release (Release Level)

EG1...4: Level . . . . . . . . . . . . . . . . . . . . . . . . . . 5.2–1...4: EG1...4: L: R

☞p.285

Release (Release Time)

Amp EG: Time . . . . . . . . . . . . . . . . . . . . . . . . . . 5.1–3: Amp EG: L: R

☞p.285

EG1...4: Time. . . . . . . . . . . . . . . . . . . . . . . . . . . 5.2–1...4: EG1...4: L: R

☞p.285

Reso

Reed Model: Bell Character. . . . . . . . . . . . . . . . 2.3–1: Reed: Bell

☞p.281

Reso (Resonance)

Resonance: BPF Parameters . . . . . . . . . . . . . . 2.3–2: Resonance: BPF: BPF1...4

☞p.279

Resonance

Filter: Filter A . . . . . . . . . . . . . . . . . . . . . . . . . . . 4.1–1/3: Filter1/2: Reso to A/B

☞p.284

Noise Generator . . . . . . . . . . . . . . . . . . . . . . . . 2.1–3: Noise Gen.

☞p.276

Brass Model: Bell Character . . . . . . . . . . . . . . . 2.3–1: Brass: Bell

☞p.281

Retrigger (Retrigger Control)

Prog Basic: Voice Assign Mode. . . . . . . . . . . . . 2.1–1: Prog Basic: Voice Assign

☞p.276

Rl (Release Time AMS2 Intensity)

Amp EG: Time Modulation. . . . . . . . . . . . . . . . . 5.1–3: Amp EG: T Mod.: R

☞p.285

EG1...4: Time Modulation . . . . . . . . . . . . . . . . . 5.2–1...4: EG1...EG4: T Mod.: R

☞p.285

Rosin

Bowed String Model: Bow Speed . . . . . . .2.3–2: Bowed Str: Bow: Bow Speed

☞p.283

Routing

Filter: Routing . . . . . . . . . . . . . . . . . . . . . . . . . . 4.1–1/3: Filter1/2

☞p.284

S

Shape

Reed Model: Wave Shape . . . . . . . . . . . . . . . . . 2.3–2: Reed: WShape

☞p.281

Standard: Wave Shape . . . . . . . . . . . . . . . . . . . 2.3–2: Standard: WShape

☞p.278

Sine Level

Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave

☞p.277

Sl (Slope Time AMS2 Intensity)

Amp EG: Time Modulation. . . . . . . . . . . . . . . . . 5.1–3: Amp EG: T Mod.: S

☞p.285

EG1...4: Time Modulation . . . . . . . . . . . . . . . . . 5.2–1...4: EG1...EG4: T Mod.: S

☞p.285

Slave

Sync Modulation: Wave . . . . . . . . . . . . . . . . . . . 2.3–1: Sync Mod: Slave

☞p.280

Slope (Slope Time)

Amp EG: Time . . . . . . . . . . . . . . . . . . . . . . . . . . 5.1–3: Amp EG: T: S

☞p.285

EG1...4: Time. . . . . . . . . . . . . . . . . . . . . . . . . . . 5.2–1...4: EG1...4: EG4: T: S

☞p.285

Start (Start Level)

EG1...4: Level . . . . . . . . . . . . . . . . . . . . . . . . . . 5.2–1: EG1...5.2–4: EG4: L: S

☞p.285

Step (Joystick Step +X)

Common P.Mod: Pitch Bend . . . . . . . . . . . . . . . 3.1–1: Common: Pitch Bend

☞p.283

Step (Joystick Step -X)

Common P.Mod: Pitch Bend . . . . . . . . . . . . . . . 3.1–1: Common: Pitch Bend

☞p.283

Strength

Brass Model: Breath Pressure. . . . . . . . . . . . . . 2.3–1: Brass: Breath

☞p.281

Sub OSC

OSC Mixer: Mixer1/2 . . . . . . . . . . . . . . . . . . . . . 2.1–4/5: Mixer1/2

☞p.277

Sustain (Sustain Level)

Amp EG: Level. . . . . . . . . . . . . . . . . . . . . . . . . . 5.1–3: Amp EG: L: S

☞p.285

EG1...4: Level. . . . . . . . . . . . . . . . . . . . . . . . . . 5.2–1...4: EG1...EG4: L: S

☞p.285

T

Threshold (Retrigger Control Threshold)

Prog Basic: Voice Assign Mode . . . . . . . . . . . . 2.1–1: Prog Basic: Voice Assign

☞p.276

Time

Common P.Mod: Portamento . . . . . . . . . . . . . . 3.1–1: Common: Portamento

☞p.283

Times

LFO1...4: Frequency MIDI/Tempo Sync. . 5.3–1...4: LFO1...LFO4: MIDI/Tempo Sync.

☞p.286

Tone

Brass Model: Bell Character. . . . . . . . . . . . . . . 2.3–1: Brass: Bell

☞p.281

Reed Model: Bell Character . . . . . . . . . . . . . . . 2.3–1: Reed: Bell

☞p.281

Transpose

OSC Basic: OSC1/2 Multi OSC Setup/Sub OSC. . . . . 2.1–2...4: OSC1...Sub OSC

☞p.276

Triangle Level

Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave

☞p.277

Trigger

Organ Model: Percussion Generator . . . . 2.3–2: Organ: Perc.: Percussion Generator

☞p.280

Tune

OSC Basic: OSC1/2 Multi OSC Setup/Sub OSC. . . . . 2.1–2...4: OSC1...Sub OSC

☞p.276

Type

Ring Modulation: Wave. . . . . . . . . . . . . . . . . . . 2.3–1: Ring Mod: Input

☞p.279

Type (Scale Type)

Prog Basic: Scale . . . . . . . . . . . . . . . . . . . . . . . 2.1–1: Prog Basic: Scale

☞p.276

Type (Wave Shape Table Type)

Reed Model: Wave Shape . . . . . . . . . . . . . . . . 2.3–2: Reed: WShape

☞p.281

Standard: Wave Shape. . . . . . . . . . . . . . . . . . . 2.3–2: Standard: WShape: Table Type

☞p.278

Type (Wave Shape Type)

VPM: Carrier. . . . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: VPM: Carrier

☞p.278

U

Unison

Prog Basic: Unison. . . . . . . . . . . . . . . . . . . . . . 2.1–2: OSC Basic: Unison

☞p.276

Up (Curve Up)

Plucked String Model: Attack Curve . . . . . . . . . 2.3–2: Plucked Str: Attack: Curve

☞p.282

V

Velocity (Attack Level Velocity Control)

Plucked String Model: Attack . . . . . . . . . . . . . . 2.3–2: Plucked Str: Attack

☞p.282

Velocity (Curve Down Velocity Control)

Plucked String Model: Attack Curve . . . . . . . . . 2.3–2: Plucked Str: Attack: Curve

☞p.282

Velocity (Curve Up Velocity Control)

Plucked String Model: Attack Curve . . . . . . . . . 2.3–2: Plucked Str: Attack: Curve

☞p.282

Velocity (Noise Level Velocity Control)

Plucked String Model: Attack . . . . . . . . . . . . . . 2.3–2: Plucked Str: Attack

☞p.282

Velocity Control

Amp EG: Level Modulation. . . . . . . . . . . . . . . . 5.1–3: Amp EG: L Mod.

☞p.285

EG1...4: Level Modulation . . . . . . . . . . . . . . . . 5.2–1...4: EG1...EG4: L Mod.

☞p.285

W

Wave

Organ Model: Tone Generator . . . . . . . . . . . . . 2.3–1: Organ: Drwbar: Drawbar1...3

☞p.280

VPM: Carrier . . . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: VPM: Carrier

☞p.278

VPM: Modulator . . . . . . . . . . . . . . . . . . . . . . . . 2.3–2: VPM: Mod

☞p.279

Wave Edge

Cross Modulation: Wave. . . . . . . . . . . . . . . . . . 2.3–1: Cross Mod: Carrier

☞p.280

Ring Modulation: Wave. . . . . . . . . . . . . . . . . . . 2.3–1: Ring Mod: Carrier

☞p.279

Sync Modulation: Wave . . . . . . . . . . . . . . . . . . 2.3–1: Sync Mod: Slave

☞p.280

Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave

☞p.277

Wave Shape

VPM: Carrier. . . . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: VPM: Carrier

☞p.278

Waveform

LFO1...4: LFO . . . . . . . . . . . . . . . . . . . . . . . . . 5.3–1...4: LFO1...4

☞p.286

OSC Basic: Sub OSC. . . . . . . . . . . . . . . . . . . . 2.1–1: Prog Basic: Sub

☞p.276

Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave

☞p.277

Width (Hammer Width)

E.Piano Model: Hammer . . . . . . . . . . . . . . . . . 2.3–1: E.Piano: Hammer

☞p.280